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...We’re really in the realm of pure speculation because no one wants to appear too hungry for a job, and no one in the Obama camp is in a position to promise anyone anything,” said Jeffrey R. Toobin ’82, an author and analyst for The New Yorker and CNN. “That of course counts for the McCain campaign as well...

Author: By Athena Y. Jiang and June Q. Wu, CRIMSON STAFF WRITERSS | Title: Harvard Goes to Washington | 11/2/2008 | See Source »

...stranger was not good—nay! that he was evil on earth. She knew that he had come to the villa to contaminate its residents, to possess them with his wickedness. And she also knew, or so whispered the voice that resonated in the inner chambers of her pure white ear, that only she could save Frederick. Felicity, perhaps, must be forsaken, for even Roxanna knew not how to salvage such a wanton shrew. Frederick—Frederick must be saved. Oh, Gentle Reader, be sure that if this pure maiden of ours had any blemish upon her soul...

Author: By Lesley R. Winters, CONTRIBUTING WRITER | Title: The Stable Boy: Chapter 11 | 10/31/2008 | See Source »

...explains, “The design is Puritan without the pure. I put a sexy twist on what would be the color scheme of that time period. It seems very neutral, but the designs and the lines are very contemporary...

Author: By Kate E. Cetrulo and Emily C. Graff, CRIMSON STAFF WRITERSS | Title: FM's Third Annual Fast Fashion Challenge | 10/31/2008 | See Source »

...focusing on Hindu mythology, the directors have chosen stories and concepts from many different cultures and time periods. Helen Keller, the resurrection of Jesus Christ, child labor, and King Ashoka all make it into the show. Bharatha Natyam as a dance style facilitates storytelling in two ways, through its pure dance elements (“nritta”) and its expressionistic elements (“abhinaya”). “It’s about the range of human emotion,” says co-director Aditi Sen ’09. “We just want...

Author: By Melanie E. Long, CRIMSON STAFF WRITER | Title: Kalpanam Crosses Cultures | 10/31/2008 | See Source »

...Project are unfocused, unclean, and inscrutable. The exception to this rule comes in a pair of images that Karsh took while on the set of the 1964 film “Zulu,” which show the actual Zulu warriors staring up at movie screens in expressions of pure delight, joy, and wonderment. Some of Karsh’s earliest work, while not quite so brilliant as those later portraits, prove to be interesting from the historical perspective of the evolution of the artist. Again, these photographs do not have the characteristic crispness yet—a portrait...

Author: By Anna E. Sakellariadis, CONTRIBUTING WRITER | Title: Portraits by Yousef Karsh Shine at the MFA | 10/31/2008 | See Source »

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