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...rock and roller at all. He may be right. He may be more. Like Elvis Costello--a comparison which hounded him for years--Jackson has shown a depth and diversity of musical talent. He has experimented with old forms and concocted new ones. He marked his departure from pure New Wave with products like the reggae-in-spired Beat Crazy and Jumpin' Jive, a collection of '40s-style swing tunes. While bands like The Clash continue to scream and bang their ideas into their music, Jackson has gradually found mellower and musically richer ideas to get his message across...

Author: By Thomas J. Meyer, | Title: Growing Up | 10/4/1982 | See Source »

...performances during his most celebrated U.S. tour. But the result was consistent: With a devastated crowd as proof, Springsteen affirmed nightly his status as the quintessential American rock hero. Springsteen's 1980-81 tour--each concert frenetic, fresh and at least three hours in length--has few parallels. For pure hysteria, last year's tour by the Rolling Stones and the current Who circuit following the release of their new album are close comparisons. But Springsteen's shows did not simply arrest and frenzy people. The wealth and breadth of the New Jerseyan's songs forced the packed crowds...

Author: By --thomas H. Howlett, | Title: A Bold Departure | 10/2/1982 | See Source »

...believable performance as a teenager struggling to establish her own identity stuck on a rock in the middle of the Mediterranean in an intentional parallel to Phillip's own search. When she tells an admiring Sam Robards. "I'm not exactly beautiful, besides. I'm a virgin," it is pure adolescent poetry...

Author: By L. JOSEPH Garcia, | Title: In a Teapot | 9/29/1982 | See Source »

...color "tuned" by dispersed accumulations of detail (a cluster of rocks, a flurry of waves, a knot of seaweed, a post or two) had everything to do with the compositional procedures of color-field painting in the '60s. So did his liking for dilute, discreetly modulated washes of pure pigment that stained the canvas rather than...

Author: /time Magazine | Title: Art: Milton Avery's Rich Fabric of Color | 9/27/1982 | See Source »

Think about the role scientists play in these movies. In "Close Encounters of the Third-Kind," they are a sinister pack of bureaucrats who stifle the simple, pure-hearted spirits of the U. F. O. witnessers. Indiana Jones, the anthropologist hero of "Raiders of the Lost Ark," is spared the ark's deadly wrath only because he refuses to look at it, hardly the most scientifically curious of approaches. The various technicians who tromp through the haunted house in "Poltergiest" are useless, for all their sophisticated machinery, in the face of the specters who have set up shop there...

Author: By Michael W. Miller, | Title: J.C., Phone Home | 9/13/1982 | See Source »

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