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...pure dancer in Gelsey could be seen last week when A.B.T. opened its New York season with a new production of Balanchine's Theme and Variations, a ballet as precise as Don Q is broad. David Howard, one of Gelsey's two current instructors, describes the challenge: "Theme requires diamond sharpness, tremendous speed, a glittering technique. The Balanchine style is small, sharp, quick footwork." Gelsey's performance was in the way of a reprise. When she first conquered the ballet's fiendish demands at 17, she gave notice that she could do anything. Nothing she does now suggests otherwise...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...want a woman," Balanchine explained. "I wanted a bird, one of God's natural creatures." But Gelsey had created a story to prepare herself for her role. "I don't think Balanchine wanted me to do that," she says, correctly. Balanchine's bird was intended as just that, a pure figure of form and movement. The production was a rare Balanchine stumble. Critics blamed him, not his pupil...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...succession of new roles in La Sylphide, La Fille Mal Gardée, Les Sylphides. Her first Giselle in May 1975 was a major triumph. Gelsey's peasant girl seemed halfway toward spirithood even before she falls in love with and is betrayed by Baryshnikov's charming, careless nobleman. Pure spirit in the second act, she had gossamer lightness, nearly unbearable youthful poignance. The part confirmed her arrival as a romantic ballerina...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...show climaxes with a vast array of slides taken during the recent blizzard of locations throughout the University. Flashes of University Hall takeovers of the '60s and co-ed living of the '70s appear with appropriate rock music from both decades. This is pure Harvard, and no attempt is made to explain the significance of Radcliffe in these events...

Author: By Michael E. Silver, | Title: Good Question | 5/1/1978 | See Source »

...influences). Scholarly substance? Come now (though if you insist, this was the primary source for both Mozart's "Marriage of Figaro" and Rossini's "Barber of Seville"). Profundity? Not a smidgen, I hope. But for you brain-becobwebbed hordes, here's energy and elegance, a jewel-box set and pure Goya costumes, zip and charm and beguiling idiocy... tonight through Sunday at 8; call 864-2630 for ticket information...

Author: By Troy Segal, | Title: Just Desserts | 4/27/1978 | See Source »

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