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...this fracture, and he treated it closed. I reminded him that closed treatment was not perfect - but neither were the results with surgery. I would expect Carol's wrist to be somewhat stiff and occasionally achy either way. A scientist could appreciate that there is ultimately very little pure data here. Surgery would be my choice if and only if the doctor couldn't get (and hold) good position with a closed reduction and casting - and I thought he probably could. Finally I told Peter that in 20 years I had operated on only about 200 fractures like Carol...

Author: /time Magazine | Title: Does a Broken Wrist Need Surgery? A Close Call | 2/20/2010 | See Source »

Carter’s duet with Barron to “Georgia on My Mind” was one of the high points of the evening. They began with tense, elastic pauses, counterpointed by Barron’s minimalist stride piano underpinning. Carter emerged pure and sonorous, producing a cascading arpeggio of longing notes that caressed the classic tune. Barron interspersed her melody with clear notes, striking the keys to produce an insistent urgency. Barron and Carter weren’t so much in synthesis as symbiosis, each thoughtfully responding to the other in a manner that gripped the entire...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

Barron himself led an ensemble within an ensemble, performing an original composition, “New York Attitude,” with Kitagawa and Blake. It was pure, muscular, sparkling, straight-ahead jazz—Blake shone throughout the night, but here he produced an especially lively, just ahead-of-the-beat, sound interspersed with snapping rolls and cymbal brushes that propelled the frenetic tune along. Kitagawa, with his calm demeanor and walrus mustache, evoked a Mingus-like sprightliness in his bass playing, switching between slow and fast in a messed-up blues solo. Barron himself remained a steadfast leader...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...like the drum and bass GarageBand loops characterized by seamless, emotionally-bereft rhythmic accuracy and a robotic inability to feel—it’s hard to imagine human beings creating this record. This is particularly problematic seeing as “Soldier of Love” eschews pure electronica and trip-hop for more traditional instrumentation—guitar, piano, drums and bass are at the heart of the record—which would intuitively present a more natural and human presence. This lack of feeling is not helped by the fact that Sade write obvious, vacuous shells...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...freely about his struggle to become an actor. He grew up in Jaipur, a city of crumbling palaces in the north Indian desert, as the eldest son of a conservative, aristocratic Muslim family. The popular movies he watched in the 1960s, such as Mughal-E-Azam and Guide, were pure escape - gorgeous fantasies of epic love and tragedy. By the time he was a teenager in the 1970s, the socially conscious new wave of the 1960s - so-called parallel cinema - began to enter the mainstream, bringing Indians' everyday experiences to the big screen. Khan was transfixed. He had been...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

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