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Word: pureed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Simon Pure, If one fine morning you leave this world feet first For your castle in Paradise (perhaps it will be pretty) Pray for me. I don't have the time. I'll still be living in Aubervilliers With both my arms embracing misery...

Author: /time Magazine | Title: Singers: Malady of Paris | 5/22/1964 | See Source »

...pure virility of the Harvard tradition is being threatened," he said, pointing out the "lack of mental resistance" inherent in a classroom of women. But voices of doom notwithstanding, Harvard and Radcliffe settled down to a peaceful and neighborly coexistence. Nearly 45 years passed with no more hanky panky...

Author: By Faye Levine, | Title: Coeducation | 5/9/1964 | See Source »

...Dutch art movement, whose standard-bearer was Piet Mondrian, made more than rules for good design. It was a heavily Platonic philosophy of art, carried out in mighty Pythagorean paintings, that saw pure beauty as the universal means of reaching Utopia. Wrote Mondrian: "Abstract art is opposed to the raw primitive animal nature of man, but it is one with true human nature...

Author: /time Magazine | Title: Art: Back in Stijl | 5/8/1964 | See Source »

...Mondrian met Bart Van der Leek, whose work (see opposite page), though sometimes representational, dealt with pure colors in flat planes. They tried to remove the traditional moat between the picture and the viewer. Mondrian's late paintings can be seen as the visible imprint of an invisible pattern surrounding the viewer. Even the walls of his stark studio were hung with movable panels that he rearranged to suit his desire, in effect making the studio a spatial work of art. Van der Leek used white in his work not as background but as space that separated his flecks...

Author: /time Magazine | Title: Art: Back in Stijl | 5/8/1964 | See Source »

...haphazard crackling of aging oils is time's contemptuous comment on Mondrian's ice-pure ideals. He himself wrote in the mid-'20s that he preferred "a more or less mechanical execution" using "materials produced by industry," because de Stijl sought a rapport with the new technology that Van Gogh and other 19th century artists generally detested. In essence, the Stijlists felt that since the machine cannot make nature, it must if properly used make...

Author: /time Magazine | Title: Art: Back in Stijl | 5/8/1964 | See Source »

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