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...time), Geoffrey Beene and Yves St. Laurent. Adds Miss Klein: "If St. Laurent showed barrels with two holes cut out, I guarantee that Women's Wear would brand it the coming look. It would also note that the stays were made of teak, the nails were of the purest brass and the holes were structurally...

Author: /time Magazine | Title: The Press: Out on a Limb with the Midi | 9/14/1970 | See Source »

...photograph to print to painting in such works as The Red Flower and Interior. A brunette model in an easy chair is likely to wind up as a tangle-haired Medusa, just as thoroughly transformed as the two lovelies waltzing through colored smoke rings in The Chase, which is purest fantasy...

Author: /time Magazine | Title: Art: Beauty in the Bizarre | 4/27/1970 | See Source »

...Pray For It," the first of the three dances that make up Winter, exemplifies this fusion in its purest form. Allesandro Vitelli's lighting is as vital to the sequence as Lindsay Crouse's chorcography, or the Charlie Mingus jazz piece she and Wakeen Ray-Riv dance to. As the space their bodies move in changes from blue to orange to hot pink, they become silhouettes of motion in a pulsating frame of sound and color; when the frame constricts to two thin streams of light, they move in a separate frenzy against the darkness. The integration is so smooth...

Author: By Nina Bernstein, | Title: Dance Winter, General Clearance of Evils at the Beginning of at the Hasty Pudding Club, Dec. 4.6 and 10-13 | 12/6/1969 | See Source »

...sculptor, Juan Luis as an experimental-film maker. This fall, the old man returned to his motherland once more, where, again, he is working on his "last" film. Under the sullen skies of Toledo, he directs scenes from Tristana, a dissection of Spanish middle-class society. One scene is purest Buñueliana: a crumpled, baggy-eyed Catherine Deneuve sits in a wheelchair, munching empty ice cream cones. Pushing the wheelchair is a deaf-mute with a demented stare, while from a park bench a large woman breast-feeding her child stares vacantly at the tragic caravan...

Author: /time Magazine | Title: New Movies: The Love-Hate of Luis Bunuel | 11/28/1969 | See Source »

...dramatic plan. Warhol's first films were long static takes of nearly motionless objects- the Empire State Building, a man sleeping. Despite their notoriety for selecting events and objects at random, and thus trying to destroy designed art, these films pushed cinema to its fundamentals and were Warhol's purest formal works. A subsequent series of sharply lit deep-focus features sustained interest through one's shifting attention within the static frame. One continually rediscovered the composition's different elements as the people in the shot moved and talked. Finally, Warhol began to zoom and pan, giving people an appearance...

Author: By Mike Prokosch, | Title: The Moviegoer Lonesome Cowboys at the Orson Wells Cinema through Tuesday | 11/1/1969 | See Source »

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