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...England's, and heavily Anglicized in cast and directors, was originally housed in a huge tent, eight miles from the town of Shakespeare; the festival moved indoors-in 1957, and its parasol-roofed theater makes Ontario's the only Stratford with true arena staging. More a purist than a tourist mecca, the festival has nonetheless lured nearly 1,000,000 theatergoers, for a box-office gross of $3,000,000. Much of Ontario's pulling power has stemmed from Tyrone Guthrie, perhaps the ablest living Shakespeare director, who likes to take a lesser-known play and tilt...

Author: /time Magazine | Title: THE STAGE: To Man From Mankind's Heart | 7/4/1960 | See Source »

...game is unorthodox, often appearing to the chess purist to fly in the face of reason. Against Botvinnik, he several times seemed to sacrifice a piece without apparent advantage. But he also achieved his primarily psychological purpose: that of confusing and spoiling the precise calculations of his opponent. Time and again, unexpected Tal moves forced Botvinnik to hesitate so long that he ran into trouble with his time limit, then rushed into making weak moves. Last weekend, with 13 games left to play, Tal led by 6½ to 4½-And in the ninth game of the match, Botvinnik...

Author: /time Magazine | Title: Sport: Surprise & Confusion | 4/18/1960 | See Source »

What nettled the dissenting purists was Ritchard's addition of broadly comic stage business, which kept the house rippling with laughter. When the young page Cherubino pours out his adolescent romantic yearnings in Act I, he does so in Ritchard's version while holding on to a pair of women's drawers draped across a clothesline full of underthings. At the act's end, when Figaro mockingly congratulates Cherubino on his future military career, he punctuates the aria Non più andrai with a solid boot to the rump. But Ritchard's worst sin, according...

Author: /time Magazine | Title: Music: Fight over Figaro | 11/9/1959 | See Source »

This Twelfth Night may not satisfy the Shakespearean purist; but it is certain to please everybody else...

Author: By Caldwell Titcomb, | Title: Twelfth Night | 7/16/1959 | See Source »

Although many G. & S. buffs feel that the operas can only benefit from the removal of copyright restrictions ("Throw out the petition!" wrote one newsman. "Every last cliché, comma and full stop of it!"), Purist Alderley was more determined than ever to protect W. S. Gilbert from the depredations of popular arrangers. One, last week, even wanted to give lolanthe a "honkytonk beat" and retitle it Zaza Has a Piazza...

Author: /time Magazine | Title: Music: Object All Sublime | 4/6/1959 | See Source »

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