Word: purists
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Fechtor teaches three mime classes a week--one at the Loeb, one at North House, and one at Wellesley. He hopes mime won't become a popular fad, taught by people who don't really know anything about it. "I'm a purist in the idea if not in the way I perform," he says. He teaches an adulterated version of mime because "I don't think I've worked long enough on pure mime to be capable of teaching pure mime...
Kopkind's insistence on the dehumanizing aspects of simulcast are purist. There are three points to be made. The first is in essential agreement. Insofar as TV dehumanizes, the viewer-listener is up against a wall, there is very little he can do in the face of what is obviously a profit-oriented attempt to cash in on the popularity of rock. Widening its accessibility translates very easily into dollars. I had intended to count commercials last Friday, but I lost count way before 36. The steady stream of commercials is a tribute to the greed of the media powers...
...shines with the vitality of those who truly enjoy their work. The large repertoire encompassing everything from Beach Boys and oldies to Cream and original numbers caters to all tastes primarily because their own enthusiasm is so infectious as to draw in all but the staunchest musical purist. "There were two girls who spent the whole second set the other night just laughing at us," says George Kincheloe '72, bass player and primary songwriter for the group. "When we asked them why, they just giggled some more and said it was because we looked so, well, so WHOLESOME. But people...
...Bach Choir presented an idealized--doubters might say distorted or impossible--image of the Mass. Far larger than the composer himself could have imagined this was not a purist's performance. It was honest enough to appreciate its own potential: valveless trumpets, natural horns, and wooden flutes all would have been senseless against a modern string section and mixed (rather than all-male) chorus. An unhappy marriage of old with new produces a far less satisfying result than either extreme followed completely...
Objections such as those discussed above are not to be solved by increased rehearsal of the ensemble or greater individual technical facility (which, I reiterate, was largely exemplary). It is a matter of conception. To cries of "purist" and "unimportant details" which may be provoked by the foregoing. I respond: it depends on how you hear things. Music is both feeling and idea--especially in the periods of Haydn, Beethoven, and Berg. The problem obviously in not an easy one; as Szell put it, "the borderline is very thin between clarity and coolness, self-discipline and severity." Nevertheless, to appeal...