Word: pusher
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Dates: during 2000-2009
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JUDY GIBBONS Portal Pusher...
Harvard tried to answer Princeton’s second lead as quickly as the first, but it was not to be. The Crimson won its third corner of the day within minutes of the Princeton goal, but the opportunity was wasted when the Harvard pusher and the stick-stopper could not connect. Within minutes of that missed opportunity, 2001 Ivy Player of the Year Ilvy Friebe iced the game for the Tigers...
...other end of the cell phone line as she ambles from Pennypacker Hall to the Yard. FM wonders whether Sprow, who is planning her Saturday night via the Sprint PCS network, is referring to women or drugs. As it turns out, Sprow’s contact and social pusher-man is (purportedly) bragging about soccer goals. Margolskee informs Sprow that Mather Third Floor is The Place To Be, a prospect that Sprow immediately relays to her cohorts, Caroline C. “Keena” Seyfarth ’06 and Erika T. Hamden...
...larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars may not recognize the legacy of blaxploitation anytime...
...larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars may not recognize the legacy of blaxploitation anytime...