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Fast, tough, sinuous, with a score of Jamaican reggae that jauntily accentuates its vigor, this saga of the career of a small-time pot pusher and pop star is a kind of Caribbean Threepenny Opera. It does not have the depth, but it does have some of the energy and a little of the fury, the same sort of lovingly savage feeling for the brash ethos of the underworld...

Author: /time Magazine | Title: Cinema: Ha'penny Opera | 2/19/1973 | See Source »

...University's chief legal paper pusher announced that financial kingpin Hale Champion had been dropped from the Jox squad "because of attitude problems." However the scuttlebut in Mass Hall has it that Champion was dropped because he could not keep up with the daily two hour conditioning program imposed on the Jox by their policeman, Dave "the Animal" Davis...

Author: By Percy Haughton, | Title: Resurgent Jox Face Crimson In Grudge Basketball Game | 2/10/1973 | See Source »

...measure as Miss Ross's film debut, sort of an uptown, downbeat Funny Girl. Besides dispensing her styrene vocals, Miss Ross is also called upon to do a great deal of acting. In every reel, there is at least one sequence of turbulent anguish: Billie battling with her pusher; Billie in a padded cell; Billie watching her piano player (Richard Pryor) get beaten to death; Billie pleading for understanding and indulgence from her lover (Billy Dee Williams). Actress Ross attacks each of these crises in the same way-by raising her voice and gesticulating wildly, occasionally clutching...

Author: /time Magazine | Title: Cinema: Hoilday On Ice | 11/6/1972 | See Source »

Super Fly, a movie about a drug pusher who escapes the law, is slickly crafted so that law and order do not triumph in the one instance they should. The film pushes the drug dealer-as-hero. The pusher has the customized Cadillac, the beautiful women, the fancy clothes, all gained by not obeying the law but by peddling death to the community. He's never caught in the end because death dealers (unlike black nationalist leaders and community workers) are allowed to go free...

Author: By Henry W. Mcgee iii, | Title: Black Movies: A New Wave of Exploitation | 10/10/1972 | See Source »

...Neal, the star of Super Fly, steadfastly defends his role as being productive and says the movie opposes drug use. "The anti-drug commercials on TV don't do much good because the kids can't relate," he explained last summer. "We showed them just what the pusher's life is like. We showed that although the pusher has money he wants to get out. I get away in the end because it really happens that way. We interviewed lots of coke peddlers and they told us they're walking the streets today because of police corruption." The film...

Author: By Henry W. Mcgee iii, | Title: Black Movies: A New Wave of Exploitation | 10/10/1972 | See Source »

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