Word: pushkins
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Much is different about the new--though actually old--Nutcracker. Hoffmann's tale is at once a lavishly detailed children's story as fine as any Grim effort and a fascinating narrative reminiscent of a Pushkin tale...
...thinks English versions are "a waste of time," though he acknowledges that they "may be of help to students incapable of learning German or unwilling to take the time to do it." He agrees completely with Edmund Wilson's celebrated verdict that Nabokov's translation of Pushkin's Eugene Onegin is unreadable. Lately, Manheim has been outraged by the praise lavished on the new English version of Remembrance of Things Past. Manheim, who has translated Proust's letters, says, "The first translator, C.K. Scott Moncrieff, was a little awkward and a little mistaken...
...course, no translator of the classics has a guarantee of exclusivity: in the 20 years since Walter Arndt won the prestigious Bollingen Prize for his masterly version of Pushkin's Eugene Onegin, three publishers have brought out new translations of the same poem. Rabassa, who expects that his version of One Hundred Years of Solitude will ultimately be supplanted, believes the development is inevitable: "If you read Cervantes in Spanish today, he sounds relatively modern, but the translations of Don Quixote made by Cervantes' contemporaries seem terribly archaic." This variety of renditions has some advantages; each new translation...
...biographer has painted the tumult and suffering of Russia's past more vividly than Henri Troyat, whose previous subjects include Dostoyevsky, Pushkin, Gogol, Tolstoy and Catherine the Great. A master of the purposeful anecdote, the graceful accretion of detail that helps explain motive and madness, Troyat finds the key to Ivan's character in the ruler's early life. The heir to the throne of Muscovy was orphaned at seven, and he grew up amid endless scheming by Russia's landed aristocracy, the boyars. "Observing the brutal treatment that grown men inflicted on their fellows...
...enthusiasms included the paintings of Braque, the writings of Pushkin, the politics of Eisenhower and the comedy of Jack Benny. But there was never any doubt about George Balanchine's greatest love. "I am a dancer," he once said, "body, soul and brain." When he died last week at 79, Balanchine was more than that; he was possibly the greatest choreographer of the century. He brilliantly synthesized ballet's elegant classical heritage with the explosive athletic energy of modern dance and the show-biz turns of jazz and tap. A co-founder of the New York City Ballet, America...