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...Pygmalion-Shaw continued to hack away at his Galatea until Ava had what amounted to a nervous breakdown, went to a psychoanalyst. When Shaw finally decided that Ava was not a promising pupil, Ava acknowledged the breakup with the classically laconic comment: "He told me to leave, so I left...

Author: /time Magazine | Title: Cinema: The Farmer's Daughter | 9/3/1951 | See Source »

Galatea, the old story of Pygmalion and the beautiful statue come to life, was done in the classic style of Viennese operetta. Its star: blonde Soprano Virginia Haskins, of Manhattan's City Opera. Wearing a Grecian gown slit nearly to the hip, she romped through the score with lyric grace, fine acting and plenty of thigh. Menotti's brassy Amelia, with the Met's Eleanor Steber, kept up the hoyden theme. Soprano Steber's rich, gusty voice was just right for the girl who has made up her mind to go to the dance, though Steber...

Author: /time Magazine | Title: Music: Romp in the Rockies | 7/30/1951 | See Source »

Highlighting the ten-number program ill be a dance interpretation of "Pygmalion" with Judith Haskell '51 and Richard B. England '53 in main roles...

Author: NO WRITER ATTRIBUTED | Title: Annex Dance Group to Give 'Pygmalion' in May Concert | 4/20/1951 | See Source »

...result is that the reader or audience sooner or later falls into the boredom of the overstimulated. If Arms and the Man, Candida, The Man of Destiny, John Bull's Other Island, Major Barbara, Pygmalion and possibly You Never Can Tell are excepted, the law of diminishing returns begins to work halfway through his plays. There are wonderful moments in Man and Superman and St. Joan, but comedy, or in the last case, tragedy, degenerate into the longueurs of debate; farce becomes crude. Devastating in his ability to talk on both sides of the question...

Author: /time Magazine | Title: War: G.B.S.: 1856-1950 | 11/13/1950 | See Source »

...humanity that his brother Hugo lacks, is in love with a beautiful young heiress, but the heiress loves Hugo. Hugo brings a poor young ballerina to a ball to distract his twin from the heiress, and her presence there gives the plot much of the flavor of Shaw's "Pygmalion." Neva Patterson is not only gorgeous as the heiress, but she plays the part with splendid clairty and effectiveness. Stella Andrews makes the ballrina a gentle, sympathetic personality...

Author: By Stephen O. Saxe, | Title: THE PLAYGOER | 11/9/1950 | See Source »

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