Word: pygmalions
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...exactly a Noble Savage, but it is impossible for Itard not to have had Rousseau in mind; the doctor many not be a poet, but he is inexorably caught up in the aftermath of the French Revolution and the birth of Romanticism. The film (like Pygmalion, or Frankenstein ) is deeply moving: in its story, one man turns an idea about humanity into flesh. And if the jump from idea to flesh, from symbol to image, constitutes the process of education, it also constitutes the process of cinema...
...invest in the buildings, and the part they pull out for sheer companionship, begin to stare back at them through every window. If you hate what you create, then you hate yourself, but trying to love the skyscrapers of New York must be like kissing a rock. So unlike Pygmalion, the construction workers cannot even fall in love with their work- which is, in part, themselves- and therefore they must either hate themselves of try to become ever more like their creations- hard, faceless, and unfeeling...
...Price and The Crucible, Tennessee Williams by Kingdom on Earth, and Eugene O'Neill by A Moon for the Misbegotten. There was Anabaptist and King John by Friedrich Dürrenmatt, three Shakespeares, two Sartres, Sophocles' Oedipus, Brecht's Threepenny Opera, Shaw's Pygmalion, a Renaissance knockabout by Niccolò Machiavelli, a late 19th century melodrama by French Primitive Painter Henri Rousseau, works by Wilde, Sheridan and Molière-besides three plays by Czech author Karel Čapek and two carminative political satires by young Czech playwrights...
...Oscar built up. In a business founded on insecurities, the statuette now seems more solid than the studios, more enduring than art. In the past, there have been recipients who put down the Oscar, and meant it. When George Bernard Shaw won one for his screenplay of Pygmalion, he boomed: "It's an insult." Director John Ford has won Oscars four times and has never attended a single ceremony...
...recesses of Annabel's personality. "She had never been given to problems" and is slow to recognize catastrophe when it comes calling. But Billy and Luigi succeed in leaving the truth at her door. "We have some Vatican money in this movie, confidentially," purrs Annabel's practical Pygmalion. "The reaction to those letters would finish your movie career...