Word: pygmalions
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...Dazzling Hour for two years, then moved on to other shows-Cocteau's La Machine Infernale (in which she appeared with her hair dusted with silver powder, her hands in clawed gloves, and her body covered with a flesh-colored net) and, for two years, Shaw's Pygmalion. She had already begun taking parts in small films, shooting all day, then racing to the theater for the show at night. The word was that Moreau was completely unphotogenic-the nose and ears too small, the mouth too thick, the body nothing special. By the time Director Louis Malle...
...FAIR LADY (Columbia). The sculptor Pygmalion stopped after producing one fair lady, but Columbia Records has no quota. There is a Fair Lady to swing to (by Andre Previn), another to sway to (by Sammy Kaye), one to weep by (Andy Williams), and one to sleep by (Percy Faith). There is also the new movie soundtrack, which has Rex Harrison in fine, fierce fettle. But Soprano Marni Nixon, dubbing in the voice of Eliza for Audrey Hepburn, sings with more finish than fire. Lovers of Broadway's fair lady, Julie Andrews, will insist on the original-cast recording, which...
...Fair Lady is indestructible showmanship. The Lerner and Loewe Cinderella tale based on Bernard Shaw's Pygmalion sets Shavian sparkle to music with such unerring good taste that it could probably be performed in Urdu by a cast of untouchables without suffering serious damage. Hollywood, praise be, can do a whole lot better than that. In this literal, beautiful, bountiful version of the most gilt-edged attraction in theater history, Jack Warner has miraculously managed to turn gold into gold. Last week, sporting all her familiar tunes along with a fall collection of eye-popping new finery, Fair Lady...
Guided by Director George Cukor, who had played Pygmalion to many a Hollywood Galatea (Garbo in Camille, Ingrid Bergman in Gaslight), she exquisitely personifies "a squashed cabbage leaf" transformed into an English rose. Her comedy scenes are delectable, her charm ineluctable, and her first appearance among society folk at Ascot-in a gown created by Designer Cecil Beaton, whose art nouveau sets and costumes are a splendid show in themselves-is one of those great movie moments seldom accomplished without the help of brass bands and fireworks. And Hepburn tops that when she begins describing, in precise Mayfair accents...
...molded her personality, selected her clothes and hair styles (long to the shoulders), taught her poise and grooming. "I suppose," says Mme. Rochas today, "he played Pygmalion with me." Helene Rochas disregarded only one of his whims: she cut her hair short when he died. Since Rochas's death and her remarriage to Theater Producer Andre...