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...Help! magazine, where he helped organize photo comic strips. One of them starred a young British actor named John Cleese. Gilliam vagabonded to Paris and then London, where his sharply surreal animations for BBC comedy shows impressed Cleese and four other Oxbridge grads--the gang that became Monty Python. "We'd never seen anything like these brilliant cartoons before," recalls fellow Python Michael Palin, who has acted in four of Gilliam's features. "Wonderful pictures, like a church with spires coming off and rockets shooting out." Gilliam became the Python's animator, linking sketches with crazy, hilarious cartoons...
...whether or not they knew his name, moviegoers saw Ingmar Bergman films. His influence was everywhere: in the look and some of the scenes of Monty Python and the Holy Grail (inspired by The Seventh Seal), in the horror film The Last House on the Left (a remake of The Virgin Spring) and any number of Woody Allen films, including Interiors (in the manner of Cries and Whispers). On Broadway, Stephen Sondheim transposed the domestic deceptions of Smiles of a Summer Night into A Little Night Music...
...Morris announces his intention "to treat the body surface as if it were a strange landscape." In practice, this means giving separate chapters and full photographic uncoverage to such geographic features as eyes, ears, nose, neck, shoulders and belly, not to mention those areas that the lads of Monty Python's Flying Circus once referred to as "the naughty bits...
...mother country's revenge. Hugh Hudson memorialized Britain's play-fair pluckiness in Chariots of Fire, then suggested in Greystoke, that its weary civilization stifled man's best primal instincts. This time Hudson does not take sides. He hates 'em both. The Redcoats stagger across a battlefield like Monty Python twits; the colonists see defeat approaching and run like dogs. But this seems less cynical impartiality than a failure of craft. The film's central characters have virtually nothing to do with the winning or losing of the war. Working-class Boatsman Tom Dobb (Al Pacino, whose bizarre Scots-Bronx...
...role of St. Peter guarding heaven's gates is a suitably outrageous part for John Cleese, the madcap star of Monty Python's Flying Circus and Fawlty Towers, two of the most popular British comedy series ever to appear on American public TV. In a film called The Unorganised Manager, St. Peter returns an executive to earth to correct his "eleven deadly organizational sins...