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...priestess Salammbo danced to the seductive warbling of a flute, her long white dress slowly fell to the ground, and she stood naked before the sacred python. Taking the serpent in her arms, she "wound it round her waist, under her arms, between her knees . . . Salammbo gasped beneath this weight . . . her back bent, she felt she was dying; and with the tip of its tail it gently flicked her thigh...

Author: /time Magazine | Title: Books: Self-Indulgences Idols of Perversity | 3/2/1987 | See Source »

Forget about taking that course in existentialism. Forget the entire philosophy department. Forget evolutionism and creationism, too. Don't even pay attention to Monty Python and his meaning of life...

Author: By Sophia A. Van wingerden, | Title: Game or Addiction: Putting Your Best Foos Forward | 2/27/1987 | See Source »

Hardy Holzman Pfeiffer did not merely rise to this challenge. The new wing, named for its principal donor, Robert O. Anderson, former chairman of the board and CEO of Arco, has obliterated the old museum like the giant foot in Monty Python. What was once the museum's forecourt is now filled with a stepped facade some 300 feet long and, at its highest, 100 feet tall: a blind screen of yellow limestone, horizontal bands of green ceramic and patches of glass block, with a gargantuan rectangular entrance portal. The architects have so overdone their contextual homage to Hollywood Deco...

Author: /time Magazine | Title: Art: Getting On the Map | 1/12/1987 | See Source »

...notably an encounter with a singing bush that knows only public domain songs and Martin's turning an attempt to escape from a dungeon into a parody of a Nautilus workout. Under John Landis' slaphappy direction, the movie does not always bounce that wildly off the wall. But Monty Python would not entirely disown it either...

Author: /time Magazine | Title: Cinema: Green and Red for Christmas | 12/29/1986 | See Source »

...must abandon the newsman's one true romantic attachment: to the other boys in the pressroom. Seducing Hildy back is his editor Walter Burns (John Lithgow), a consummate user who plays to the reporter's vanity and yearning for power. The 6-ft. 4-in. Lithgow resembles a giant python, fixing victims with his stare, crushing them in his embrace. Johnson repeatedly flares into compassion. But he yields to Burns' blandishments every time, and something goes dead in his eyes. He looks like a recovered alcoholic taking the deadly first drink...

Author: /time Magazine | Title: Theater: Hello, Sweetheart, Get Me Rethink the Front Page | 12/8/1986 | See Source »

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