Word: pythonized
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Dates: during 1980-1989
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...glorified burlesque. Kustow's direction throughout is faithful to Wood's music-hall style, with an unending series of visual gags and (with some noticeable gaps) a fast-paced verbal attack--much of it funny, much of it silly. If you've seen enough Morecambe and Wise or Monty Python, you'll recognize it quickly enough...
...scenery is stunning, the direction fine, and Sarah Badel and John Cleese are engaging as Katharina and Petruchio, the shrew and her tamer. But more might have been expected of Miller, who showed his lively wit in Beyond the Fringe, and Cleese, mainspring of the Monty Python troupe. They may be doing a play from the 16th century, but they need not have left their sense of humor in the 20th...
...Monty Python's Contractual Obligation Album (Arista). The Pythons tear through assorted comedy sketches and raise their voices in songs of innocence and experience. Titles include Never Be Rude to an Arab, All Things Dull and Ugly, Farewell to John Denver and Sit on My Face. Ideal for Christmas caroling or breaking the lease...
...behind it, Wayward Reporter might have turned into a dry, formal investigation of modern journalistic writing from 19th-century mush to Hearstian sensationalism to the terse prose on the front page of today's New York Times. At times, Sokolov seems a little overwhelmed by the topic, like a python swallowing an elephant. He wrestles with how to treat Liebling's role as a war correspondent, not one of his greatest periods. Sokolov does not compare Liebling's war pieces to other more outstanding journalists of the time, perhaps because he does not want to embark upon a project that...
...Python was assisted by Neil Innes, who did most of the musical interludes and was one of the unexpected delights of the evening; and Carol Cleveland (both are Python TV and film alumni...