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...Q: Which artists are taking full advantage of the freedom the genre of remixing provides...
...Q: On your online notes for Rebirth of a Nation, you draw a line between the montage filmmakers of the 20th century and the DJs of today. But cutting and sequencing beats to create a narrative has been reconstituted by the MTV generation as an ADD alternative to actual storytelling. How do you reemploy the method to startle and challenge audiences? What is the future...
...Q: Rebirth raises a concern many film historians have had concerning the recutting and recombination of films in “director’s cuts” and “special editions.” Is there anything sacred about the filmic art form? Can we draw a line between sacrificing the artist’s vision and reimagining a work...
...Q. Why do you believe that Cornell was so vulnerable...
...Q. You say you were labeled a fascist, you resigned from Cornell in protest and were unable to find a job within the U.S. academic community for a long time. If you were not traumatized by these experiences, how did they affect your views on education...