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...epistolary form, concentrated more on the dark laughter of the rehab clinic. The movie, which drops the postcards but keeps the edge, is a show-biz mother-daughter film par excellence -- Terms of Endearment out of Gypsy. Suzanne has her poignant wrangles with movie types (nice turns by Dennis Quaid and Rob Reiner as producers, Gene Hackman and Simon Callow as directors), but Postcards is bound by family ties. MacLaine gives a wonderfully excessive rendition of the Sondheim song I'm Still Here: "First you're another sloe-eyed vamp,/ Then someone's mother, then you're camp." In Postcards...

Author: /time Magazine | Title: Cinema: Spin And Sizzle | 9/17/1990 | See Source »

...Murray), a city planner who wants nothing more than to escape the city once and for all. Inexplicably, instead of buying a place in Connecticut, he opts for planning a million-dollar bank robbery that will allow him and his girlfriend Phyllis (Geena Davis) and best friend Loomis (Randy Quaid) to spend the rest of their lives on a South Pacific island...

Author: By Adam K. Goodheart, | Title: Does This Film Sound Familiar to You? | 7/27/1990 | See Source »

Worst of all is Quaid, who plays a Sancho Panza to Murray's Don Quixote. Quaid seems to have forgotten that successful slapstick requires a great deal more than simply acting clumsy, and the audience soon grows as weary of his character's stumbling, bumbling and foot-dragging as Grimm and Phyllis do. By the last third of the movie, he has been reduced to a wheezing, red-faced wreck, and one wishes that his accomplices would simply turn him in to the cops and get on with their escape...

Author: By Adam K. Goodheart, | Title: Does This Film Sound Familiar to You? | 7/27/1990 | See Source »

...movie begins with Arnold as Doug Quaid, a humble, happily married construction worker. All he wants to do is take a vacation to Mars, but his wife doesn't want...

Author: By Stephen J. Newman, | Title: Arnold May Leave You Feeling Less Than Pumped Up | 6/29/1990 | See Source »

...tyrant from whom the colonists must buy air, and he has just jacked up the price. It is on Mars, toward the end, that Total Recall slows down to tie up its plot and provide each villain with an appropriately gruesome demise. It goes wussily misterioso when Quaid meets a Yodaesque guru. But even when the film flirts with becoming ordinary, it is propelled by the stolid charm of Schwarzenegger, who carries the whole movie as easily as a dumbbell between his fingers...

Author: /time Magazine | Title: Cinema: Mind Bending on Mars | 6/11/1990 | See Source »

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