Word: quarrelling
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Dates: during 1930-1939
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...with Dictator Mussolini, to whom he is carrying a warm message of personal regard from Prime Minister Neville Chamberlain. Premier Mussolini has not been visited by any member of a British Cabinet since June 2 5, 1935-the fateful summer day on which Mr. Anthony Eden had a personal quarrel in Rome with the Dictator which affected the whole history of contemporary Europe. Just before the War Secretary left England by plane for Malta, where he will inspect naval defenses before going to Rome this week, Leslie Hore-Belisha predicted...
...that they would continue to treat the poor for nothing. But an articulate minority want the Government to pay the medical bills of the indigent, also the expenses of medical schools, research institutions and hospitals. When the American Medical Association meets in San Francisco June 13, this doctors' quarrel, now a distant thunderhead, is expected to break into a real storm...
...popular conceptions, that Japan is on the verge of a revolution, and that Fascism is on the upgrade there, he branded as false. Almost unanimously the people believe that the land of the rising sun must "expand or explode"; any quarrel the people have to pick is with the means, not with the end. There is no more Fascism than in any nation at war, he said...
...Adolf Hitler who brought the long latent Chamberlain-Eden quarrel to a crisis. The action of the Fuhrer fortnight ago, after cracking down on German Army leaders, of appointing as his Foreign Secretary dynamic, scheming, adventurous Joachim von Ribbentrop, was taken by the English as a storm signal for Europe, especially since last week Ribbentrop was closeted with the Dictator in his mountain retreat. With what policies should His Majesty's Government seek to steer majestically through the storm? It came to Mr. Eden's ears that Mr. Chamberlain, in commenting to other members of the Cabinet upon...
With one projected piece of sculpture Mr. Connick had no quarrel: the monumental, distinguished design for a new goddess, Pacifica (see cut), which San Francisco's veteran Ralph Stackpole modeled to be the exposition's 70 ft. cynosure. But Mr. Connick remarked of Abundance, a nude male figure by David Slivka, that it looked more like a failure of the fig leaf crop; of Occident & Orient, two female nudes by Jacques Schnier, that they would be barred from burlesque; of South American Woman Grinding Corn by Cecilia Graham, that it should be called Woman Bet-Loser Shoving...