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...work also manifests those qualities which make so much post-war music difficult for the untrained ear: irregular tempo, unresolved chords and absence of melody. These qualities were less in evidence in the sonata than in the String Quartet #1, a work which even the composer describes as "grim and terse." The quartet begins with a mysterious Gypsy-like phrase, which is quickly flattened into harshness; the four instruments repeatedly diverge and then return with a burst of two or three dissonant notes. While the quartet is affecting and succeeds in communicating a certain nervous emotion, it is far from...

Author: By Adam Kirsch, | Title: New Music Raises Old Questions | 12/7/1995 | See Source »

...jazz band as well as a string quartet will set the mood. Tickets are $10 per person, and non-residents are allowed to attend...

Author: By Aby. Fung, | Title: Formal Round-Up | 12/2/1995 | See Source »

...have one violin called a Rocca that's being played by a concert player in New York and I have [another viola] called a Pressenda that's being played in the Borromeo quartet...

Author: By Curtis R. Chong, | Title: Professor Finds Beauty In Violins and Viruses | 11/22/1995 | See Source »

...there were also times in the performance, especially during Redman's solos, when the level of intensity on stage fell way short of the standard set by the energetic Sanders audience. The majority of the first set performed by the quartet consisted of uninspired jams on simple, repetitive tunes composed by Redman. While this was a version of straight-ahead jazz at its most miasmic, Redman proved later in the set that he is still willing to go out on a limb, even at the risk of alienating his huge following. Redman's sincere version of Ornette Coleman...

Author: By Eric D. Plaks, | Title: Redman Quartet Concert 'A Trip' | 11/9/1995 | See Source »

...conclusion of the second set led to a standing ovation from the audience at Sanders Theater, and in the manner of a magnanimous entertainer, Redman obliged by playing a fantastic encore, summoning McBride back on stage to share duties with the quartet's regular bassist, Chris Thomas. The group played a spirited version of the old Basic tune "Second Balcony Jump" (after Redman cautioned the packed upper level of Sanders Theater not to get any ideas) and then the leader let the two bassists have a long dialogue that was the evening's highlight. As they exchanged four-measure, then...

Author: By Eric D. Plaks, | Title: Redman Quartet Concert 'A Trip' | 11/9/1995 | See Source »

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