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...reputation as Britain's most endearing man of letters. A reluctant star since the early '60s, when he beguiled London and Broadway with Peter Cook, Dudley Moore and Jonathan Miller in the Beyond the Fringe comedy revue, Bennett has proved to be the surprise marathoner of that dazzling quartet. In his plays (A Question of Attribution, The Wind in the Willows), film scripts (A Private Function, Prick Up Your Ears), TV dramas (An Englishman Abroad, Talking Heads) and frequent pieces in the London Review of Books, one can hear the thin voice of the last country parson. That's Bennett...

Author: /time Magazine | Title: BARD OF EMBARRASSMENT | 2/27/1995 | See Source »

Nobody got murdered that night. The guys in Hootie would rather get into an extended jam than a barroom brawl. And the band's burgeoning success seems to indicate that it's got far more fans than redneck detractors. The quartet's absorbing debut album, Cracked Rear View, has become an unexpected commercial smash, selling more than a million copies. Hold My Hand, a catchy sing-along number from the album, is in Billboard's Top 10. The music-video channel VH-1-once seen as a kind of easy-listening, out-of-touch uncle of MTV-recently changed...

Author: /time Magazine | Title: SOUTHERN EXPOSURE | 2/27/1995 | See Source »

Department of Music. The MendelssohnString Quartet performs Janacek's String QuartetNo. 2 "Intimate Letters." Pusey Room, MemorialChurch...

Author: By Kelly T. Yee, | Title: at harvard | 2/23/1995 | See Source »

...playing doesn't get in the way of theopera's highlight, the quartet with chorus, "Bevoal tuo fresco sorriso." Here is Puccini at hismost clever, weaving together melodic strands anddance rhythms to create a sense of luxuriantebullience. The quartet is such a climax that italmost undercuts the conclusion of the opera whichfollows a few minutes later...

Author: By John D. Shepherd, | Title: Dunster House Scales Puccini | 2/23/1995 | See Source »

When the legendary John Coltrane Quartet went through its final convulsions in 1966, music lovers the world over bemoaned the end of perhaps the greatest jazz rhythm section ever. Once drummer Elvin Jones and pianist McCoy Tyner left Coltrane's group to pursue solo careers, a nearly telepathic musical link was severed. But while the breakup of The Quartet may have been a lamentable occurrence for listeners, for both Jones and Tyner it offered the chance to distance themselves from saxophonist Coltrane's towering shadow and to enhance their own reputations as leaders...

Author: By Eric D. Plaks, | Title: OUTSIDE THE UMBRELLA | 2/23/1995 | See Source »

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