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...Prelude to a Kiss) and composer Gerald Busby fuse the two in ORPHEUS IN LOVE, an off- Broadway retelling of the Orpheus legend -- mingling hints of Oedipus -- in which the characters are music teachers or pupils and hell is interwoven with high school. The sound, too, (by a string quartet, piano and two bassoons) - hovers between melodic-traditional and staccato-modern. Kirsten Sanderson's witty staging deftly evokes dreams -- their fleeting lyricism, transposed logic, sexual ambiguity and poignant blend of chagrin and nostalgia...

Author: /time Magazine | Title: Short Takes: Dec. 28, 1992 | 12/28/1992 | See Source »

Middle East. 472 Mass Ave. 354-8238. Upstairs: Scatterfield on Friday, Dec. 11. The Drovers on Saturday, Dec. 12. Downstairs: CD Release Party of Chuck with Random House of Soul and Aria on Thursday, Dec. 10. World Saxophone Quartet on Friday, Dec. 11 at 8 p.m. Brazilian Jazz Mater Ivo Perelman on Saturday...

Author: NO WRITER ATTRIBUTED | Title: Listings | 12/10/1992 | See Source »

Intense, rich and beautiful, this ninth album from the Athens college radio quartet is a masterpiece. Guitarist Peter Buck's trademark jangle gets the addition of acoustic strumming, and singer/lyricist Michael Stipe demonstrates a more versatile, more daring vocal performance. Highlights are the gorgeous "Nightswimming," the earnest "Find the River," and the brooding "Drive...

Author: NO WRITER ATTRIBUTED | Title: Reviews | 12/10/1992 | See Source »

Producer Paul Fox has given the band a more solid rhythmic foundation for this outing. Previously, Merchant and the other Maniacs could be so evanescent that they threatened to disappear in their own vapor trail. Here they sound sturdier, even when a string quartet floats through Merchant's wrenching Jezebel...

Author: /time Magazine | Title: Fascinating Friction | 12/7/1992 | See Source »

THEY ARE A STRANGE QUARTET: THE sensitive IRA gunman (Stephen Rea) and his brutal blond colleague (Miranda Richardson); the gentle English soldier they take hostage (Forest Whitaker) and the love he left behind (comely newcomer Jaye Davidson). In THE CRYING GAME, Irish writer-director Neil Jordan spins his had-I-but-known plot twists from Belfast to London. By the end of this devious thriller, just about everyone has had to point a loaded gun at just about anyone else he or she might have cared for. In a style of agitated naturalism, Jordan (Mona Lisa) examines poignant matters...

Author: /time Magazine | Title: Short Takes: Nov. 30, 1992 | 11/30/1992 | See Source »

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