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Sylvia Yanagisako and other scholars have noted that the quasi-mythological status of our male ancestors who came to this country as laborers, gold-miners, merchants and laundry owners is built on the unacknowledged presence of the women in our families who worked long hours for nothing, cooked the food, scrubbed the clothes, carried and raised the children, and bore the blows, abuse and neglect not only from our grandfathers, but also from the larger white society which refused to see our grandfathers as real men and refused to treat any of us as real human beings...

Author: By Christopher Fung, | Title: Redefining Asian Masculinity | 10/22/1993 | See Source »

...common with the "white collar" crimes of overleveraged corporate conglomerates of the '80s? True, the decade of corporate excess left even the academic world tainted--from the president of Stanford University, who "appropriated" federal grants for home improvements, to the Yale president who decided to forego his comfortable (albeit quasi-academic) appointment to go into business in a completely forprofit "educational" enterprise. Still, it seems odd that the government should focus its antitrust wrath on MIT and eight Ivy League schools...

Author: By Hugh G. Eakin, | Title: The Free Agency Applicant | 10/5/1993 | See Source »

...Instead of letting the performers sing, however, he has them lip-synch to a sound track of their own cast recording, issued by EMI Classics with Simon Rattle + conducting the London Philharmonic. It's a vibrant recording in its own right, but the miming shows -- and jars with the quasi-naturalistic style of Nunn's staging. And because the music seems once removed, the production often lacks the one quality that every directorial stroke was intended to achieve: immediacy...

Author: /time Magazine | Title: Conjuring Up Catfish Row | 10/4/1993 | See Source »

...year ago, before Diller hooked up with Malone at QVC, the cultural elite considered shopping by TV a joke, unworthy of serious interest. But Diller's involvement in one stroke transformed home shopping's image from pathetic trailer-park quasi-entertainment to visionary locomotive into the future. Yet he must have realized the frenzied run-up of his stock wouldn't continue indefinitely, and he certainly knows, according to a friend, that without a real Hollywood movie studio he cannot be a full-fledged member of Hollywood royalty. Analysts can talk about corporate fit and maximizing shareholder assets all they...

Author: /time Magazine | Title: Spectator Ego Is of Paramount Importance | 10/4/1993 | See Source »

Gorecki's compositional language has changed over the years; it is a long way from the atonal pointillism of the Symphony No. 1 and the relentless brutality of the Choros I to the contemplative beauties of the Quasi una Fantasia quartet of 1991. The symphony, so typically "modern" in its harsh sonorities and deliberate absence of melodic appeal, is not much different from what Boulez and others in Western Europe were doing at about the same time; the Choros, meanwhile, is clearly influenced by Gorecki's countryman Krzysztof Penderecki, notably by the Threnody for the Victims of Hiroshima...

Author: /time Magazine | Title: Not Just a One-Tune Man | 9/20/1993 | See Source »

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