Word: quasimodo
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Dates: during 1960-1969
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...also presented an adaptation of John Steinbeck's Of Mice and Men. But what were they thinking about when they signed Britain's classical actor Nicol Williamson to play Lennie, the hulking, simple-minded American farm hand? That seemed a little like casting David Niven as Quasimodo. Well, in short, Williamson was an extraordinary Lennie. Of the trio of Britons who dominated the tube last week, his performance was the most remarkable. Bug-eyed and slackjawed, gangly and gawky, stammering and shuffling, he gave touching insight to his credo, "I got you and you got me." George Segal...
...window, and Rooks cuts to his point-of-view: a blur of color suddenly coming into sharp focus revealing the chateau in an angle-shot accentuating its Castle Draculaaura. This is followed by a montage of different fantasies of Harwick resisting entering the sanitarium, in which he imagines himself Quasimodo. Chappaqua proceeds best when, as in the above examples, it moves constantly, uses hand-held camera with validity and a lack of predictability, and uses cutting to isolate moments while basically advancing action, also to destroy conventional barriers between illusion and reality and normal concepts of time sequence...
...applause ("Let's hear it for the Lord's Prayer!"), and his pen chant for forgetting names (Singer Polly Bergen is invariably introduced as Bar bara Britton) are part of TV lore. His wincesome looks and quirky mannerisms-such as hunching his shoulders and reeling around like Quasimodo doing the lindy-still bring serious letters from shut-ins commending his courage for appearing despite such an obviously bad case of Bell's palsy. Jabbing and pointing his finger like a traffic cop, he once brought on a hypnotist with the familiar "Here he is!" and poked...
...evaluate each performance apart from the problem of age is almost like discussing the career of Quasimodo apart from the Inquisition. Yet the actors as individuals cannot be held responsible for their collective failure. Within the all-too-Hasty-Pudding concept of the whole production, some of the cast members fill their parts quite competently. Chris Baker, though ridiculously miscast as Mosca, delivers a good comic aside, moves comfortably around the stage, and neatly captures the slyness of the character. Peter Goldberg's Volpone is one-note throughout, since he is physically unable to simulate death-bed sickliness; otherwise Goldberg...
...What is the world's top prize in humanities? A. The Nobel Prize for Literature. Q. Who gets it? A. The world's top writers. Q. Like Salvatore Quasimodo, Alexis Leger, Ivo Andric and Giorgos Seferiades...