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...Chinoise. If Godard's current films--reportedly staged cinema-verite, interview-oriented, documentary political essays--represent a completely new development in his work, then we can consider Made in USA, Deux ou Trois Choses que Je Sais D'Elle, La Chinoise, and Weekend transition pieces between the narrative power of Pierrot le Fou and the films to come. The first two are easily dismissable as films which fail to solve problems finally turned into assets in La Chinoise: audience alienation through revelations of the camera itself and of actors as actors; a growing feeling that truth must extend into...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...finally accepted for publication. In Dark As the Grave, we meet some of the characters who appeared in different form in Under the Volcano, and we discover the often mundane source of what had seemed brilliant invention in the earlier novel. The Consul's mistranslation of the sign "Evite que sus hijos lo destruyan" as "We evict those who destroy" was, Lowry admits, his own careless error, not a conscious subtle distortion...

Author: By William C. Bryson, | Title: Malcolm Lowry, 11 Years Dead, Is Pawing Through the Ashes of His One Great Work | 12/17/1968 | See Source »

...Murs ont la Parole n'atteint peut-etre toute son importance documentaire que pour ceux qui sont inities a la pensee de Stanley Hoffmann, mais memes les non-inities y trouveront de quoi s'amuser et s'emouvoir: ce "journal mural" d'une revolution estudiantine manquee nous adresse tous la parole...

Author: By Nina Bernstein, | Title: French Graffiti | 11/16/1968 | See Source »

...particularly memorable. Demy's lyrics simple and direct ("Estelle loin d'ici? Est-elle pres de moi? Je n'en sais rien encore mais je sais qu'elle existe.") advancing exposition without heavy reliance on metaphor or fantastic imagery: Solange (Francoise Dorleac) asks her Delphine, "Qu'est-ce que tu as?" and Deneuve sings back bluntly, "Je suis triste et je m'ennuie...

Author: By Tim Hunter, | Title: Les Demoiselles de Rochefort | 5/16/1968 | See Source »

...Bored by John Milius, 23, of U.S.C., begins with an epitaph from the late Erroll Flynn: "I believe I'm a very colorful character in a rather drab age." It then flashes through a quick-cutting kaleidoscope of mindless pleasure seekers-motorcyclists, teenyboppers, discothèque dancers-accompanied by a sound track of sighs and despairing screams. One judge saw in the eight-minute film a viable cinematic equivalent...

Author: /time Magazine | Title: Trends: The Student Movie Makers | 2/2/1968 | See Source »

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