Word: queene
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Dates: during 1980-1989
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...colorful campaign "battlebus." "What chance is there that a new Britain can be built by the old parties," he asked a Scottish audience, "one of whom draws its inspiration from the decaying bones of Karl Marx in Highgate Cemetery and the other from the widow's weeds of Queen Victoria...
...call this lean, gray machine a bike is a bit like calling a panther "pussy" or the Queen "Liz." It cost $700, has 15 speeds, with wires in odd places, and it floats on balloon tires that would make an ascent up Everest seem like a jaunt through Central Park. "You can go off the curb or hit a pothole, and you don't even feel it," boasts Broderick. "It's like a Cadillac. It's the most expensive thing I ever bought, and I did it on the spur of the moment. I asked Elizabeth Franz...
Matthew's first professional stage part was in Harvey Fierstein's Torch Song Trilogy, in which he played the adopted homosexual son of a former drag queen. Slightly built (5 ft. 8 in.), Broderick looks no more than 17. Fierstein, who was the star as well as the author, kept telling him to hurry his lines. Broderick resisted, and the two yelled and fought. "Harvey used to push me against the wall - he's strong as a bull - but it freed me up a lot as an actor to play against him. He has a nice freedom...
...French Film Maker Diane Kurys (Peppermint Soda) etched an acute, critical portrait of her own family in the early 1950s and drew splendid performances from Miou-Miou, Isabelle Huppert and Guy Marchand. Chantal Akerman, a Belgian director whose monumental minimalist soap opera, the 1975 Jeanne Dielman, has made her queen of the European film avantgarde, confounded all expectations with a sprightly, witty musical called The '80s. The Cannes audience came to snooze and stayed to cheer...
Maass holds Kleist firmly to account for the spillage of his life. But he is overly apologetic for the writings. Penthesilea, Kleist's drama about the clash between Achilles and the Queen of the Amazons on the plain of Troy, does not, as he suggests, combine the best features of Greek tragedy and Shakespeare. It is Kleist's tart little fragments that most charm a reader today. There is, for example, the Swiftian modest proposal for sending messages by artillery and cannon ball, if speed is what everybody wants. There is the marvelously straight-faced account...