Word: queened
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Wheeler also listed himself as the co-author of a book under contract and another project under review with McGill-Queen's University Press. But the press' marketing director Susan McIntosh said that Wheeler "is completely unknown to us," and that his name would be on a contract if he was a co-author for a project...
...corner sit two of the executive producers, Angela Su ’12 and Beatrice H. El-Hage ’11, tag-teaming between computer screens, cell phones and errands. Su is every bit the urban beauty queen: meticulously dressed in a checkered jacket and a light blue skirt, face frozen in a neutral, pensive gaze that doesn’t break even while talking. El-Hage appears restless, by contrast, as she pecks at her keyboard with a forceful energy. A few minutes later, the triumvirate is completed by the arrival of Carmen V. Feliz-Taveras...
...Pirates of Penzance”—which runs through May 2 at the Agassiz Theatre—share a radically different defining characteristic: profoundly patriotic monarchism. As they sing in the show, “With all our faults, we love our Queen.” Faults or no, the irresistible energy of the cast makes “The Pirates of Penzance” one lovable show...
...pirates’ unorthodox love for the Queen is by no means the only paradox “The Pirates of Penzance” presents; in fact, Gilbert and Sullivan seem to have delighted in irony. The plot rests on an absurdity built into the contract of Pirate Apprentice Frederic (Benjamin J. Nelson ’11), whose nurse signed him up to serve as a pirate not for 21 years but for 21 birthdays—an unfortunate choice of terms considering that Frederic was born on February 29, which means that at age 21 he?...
...nothing else, “Pirates” conveys that what makes a pirate is not his eye patch, but his love for the Queen. Similarly, what makes this rendition of “The Pirates of Penzance” is nothing more complex than its cast and crew’s sense...