Word: queened
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Dates: during 1960-1969
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Still, the turnover went more smoothly than anyone had hoped and, in a light mood, Australians did a little coining of their own. The 20 piece, which has Queen Elizabeth's profile on one side and a frilled-neck Australian lizard on the other, was nicknamed "the Twin Lizzie." The 100 piece, imprinted with the Australian lyrebird, was called "the fib." The 200 piece, which features a waterlogged-looking platypus, became "the Holt"-after Prime Minister Harold Holt, an avid beach enthusiast...
...whom she's been dating lately. "That's a bit of an odd question," she sniffed. There were other nosy queries, but at last they were done and the searing TV lights went off. Gasped Daisy, better known as Princess Margrethe, 25, who will some day be Queen of Denmark, of the Wends and the Goths, Duchess of Slesvig, Holstein, Stormarn, Ditmarsken, Lauenborg and Oldenborg: "Phew! That...
...Goldman's play be, Director Noel Willman has somehow contrived to make is worse. Olde English folk songs ("God Rest Ye Merry Gentlemen" etc.) are piped over the loudspeaker after every blackout, and stage movement is held to a static minimum. Unfortunately, radiant Rosemary Harris as the dowdy, embittered Queen looks even better than she did as Ophelia two year ago; while cherubic and smooth-skinned Bruce Scott, late of the Merv Griffin Show, fails to convince anybody that he's Prince John, who, as the text repeatedly states, is the victim of massive acne. As for the miscast...
...Daniel's divinely sweet and pure. As Belshazzar John Howell's voice is rough and dull, as it should be; and when Daniel reads him the prophecy of doom his voice quavers and almost cracks with fear. The one female in the production, Sandra Robbins, plays both Belshazzar's queen and the angel. Her soprano voice rings clearly and powerfully over the male voices, and projects almost enough femininity to balance with the rest of the cast. The chorus in solemn, hollow, and always in tune on the difficult modal chants. The small group of instruments is just wispy...
...only person whose face fits the drama is the lute player, who has a very full, dark, biblical beard. Furthermore, the singers are not consistent in their facial expressions; some of them never show any expression at all, while others come up with some amateurish miming. When the queen hears the fatal prophecy a worried expression comes over her face, more like a wife who has burned the potatoes than a queen who is about to lose her husband and kingdom...