Word: queenly
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Dates: during 1940-1949
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...same monarch to dissolve "the pretensed mariage with the Lady Anne of Cleves" (Henry's Queen...
...kind of continuum of time and space. Such castles were almost as naked of furniture as the Elizabethan stage; Olivier uses both facts to the film's advantage. Not even the costumes are distracting; they are close to the simplest mind's-eye image: a King & Queen like playing cards; Hamlet in black & white, with a princely silver chain; Ophelia, a flowering draught of white. The production is as austere, and as grimly concentrated, as Henry V was profuse and ingratiating. Only the wild, heartfelt, munificent language is left at liberty...
...steadfast and wise Horatio. Stanley Holloway, as the Gravedigger, is blessedly out-of-tradition;* he seemed to have learned his lines from the earth itself, not from "Shakespearean" pseudo-rustics. Terence Morgan, as Laertes, is the quintessence of an old aristocrat's fine, somewhat spoiled son. For once, Queen Gertrude is young enough, and beautiful enough, to explain all the excitement she generates in the Ghost, his murderer and her son. Indeed, Eileen Herlie, who is only 27, has some trouble looking old enough to be the beauteous Majesty of Denmark. But her performance is a profoundly exciting...
...There (Sun. 2 p.m., CBS) at the execution of Mary, Queen of Scots...
...subtler possibilities are not very clearly realized in those definitive, eroded lines; and with that insufficient realization their deepest humanity, along with their deepest art, slips away, much as the suicidal dagger slips from his hand and slants into the sea. In the terrific scene with the Queen, magnificent as he is, Olivier seems to stop at the brink of the cyclic, self-devouring, sadistic desperation which Shakespeare so clearly wrote into that page...