Word: queenly
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Dates: during 1970-1979
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...play offers no new insight and makes no clear point. It pushes nostalgia to the brink of extinction. Queen Mother Mary (Eileen Herlie) is a starchy matriarch with a cast-iron devotion to duty. Edward (George Grizzard) is a kind of superannuated adolescent with vague notions of modernizing monarchy. As for the Duke (Patrick Horgan) and Duchess (Ruth Hunt) of York, they caterwaul incessantly about not having had enough on-the-job training to assume the reigns of empire...
...Eileen Herlie strives for imperiousness and achieves glacial suburban pomposity. George Grizzard suggests a jaunty detached habit of command, but any show of passion is dissipated in petulance. All in all, one has the unsettling impression that a pickup cast of stewards and maids from the crew of the Queen Elizabeth II could have mimicked royalty more convincingly...
MEMORIAL CHURCH. James Dalton, Organist of Queen's College, Oxford, in recital. A program of Gibbons, Blow, Nielsen, and Bach. Free. Friday, October...
Still, there it is, opened last week with a production of Prokofiev's War and Peace, and ready now for its ceremonial visit by Queen Elizabeth II-an Opera House that marks a watershed in Australian cultural history, if not (as was once hoped) in that of world architecture...
...seemed a cultural crime. In mainland China during the late 1960s, as part of Mao Tse-tung's Cultural Revolution, the ancient art of Peking opera was deliberately put to death. The person responsible was Mao's wife, Chinese Cultural Queen Chiang Ching. To Madame Mao, Peking opera was bourgeois, reactionary, too concerned with court life. She replaced it with an unadorned, realistic style of opera that celebrates the struggles of workers, peasants and soldiers against landlords and imperialists. Gone forever, or so it seemed, were the highly stylized music dramas about kings and concubines, scholars and lute...