Word: queenly
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Dates: during 1970-1979
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...spaceshot put-ons in the memory of great rock'n'roll continued with "Sandman"--another song spaced into lost perception. And finally, oh finally, "Cat" Davis came jogging through the gym, stripped of her warm-up and donning her Everlast gloves. I was expecting, something like a roller derby queen, but the "Cat" was very real. She was beautiful, to begin with--in peak athletic condition with tight, firm skin and muscles; a cute, but tomboyish face under a flock of long, curly blonde hair. Her sparring partner was a short, pudgy guy--and they just goofed around...
...bound to happen. Dolly Parton, the cantilevered queen of country music, was stuffed as usual into skintight duds at the twelfth annual Country Music Association Awards at the Grand Ole Opry in Nashville. Just before the announcement came that Dolly had won the Entertainer...
...group of actors finishing a sequence while another is starting a new one elsewhere on the stage. Brook mines all the playwright's caustic, worldly wit. A line from Enobarbus, who tells of seeing Cleopatra "hop 40 paces through the public street," inspires him to make the Queen's court a frolicking, unregal place where games and horseplay abound. With the help of Designer Sally Jacobs' simple set, he reaches boldly for a world that cannot be onstage: the great battles. The foreground is partly enclosed by six long translucent panels; behind them is a deep background...
...there is little space left over for passion or a world well lost for love. Antony (Alan Howard) and Cleopatra (Glenda Jackson) seem too much like old buddies, rather than old and reck less lovers. Jackson brings overflowing energy to the part. Physically she is mesmerizing. Playing the imperious Queen, she uses broad, almost sculptured arm gestures. A moment later she is running like a girl or jumping dervish-like in tight circles. But there are no pauses or silences here, and finally no intimacy with An tony. The characterization, for all its motion, is static...
...fare better. As Enobarbus, Patrick Stewart conjures up the Queen's burnished barge, and her beauty that age cannot wither, in the tone of a man who is as besotted with Cleopatra as Antony himself. Jonathan Pryce's Octavius Caesar is fascinating for its subtlety: he is a youthful ruler of sensitive and cunning intelligence. Howard fills the role of Antony, which is something like filling the sails of a galleon. His willful ness, his rages, sarcasm, generosity and reluctant self-knowledge are all here. When Antony's defeats are rushing headlong at him, Howard conveys...