Word: queens
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Dates: during 2000-2009
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...fair, foreign media sometimes exaggerate the incidents. Calling out to the American President in front of Queen Elizabeth II, after the official photo op at the G-20 in London ("Mr. Obamaaa! I'm Mr. Berlusconi!") was a lovely Borat moment - harmless, and quite funny. Talking on his mobile while Angela Merkel was waiting for him at the NATO summit? He was just showing off ("I can convince Turkish leader Erdogan to accept Rasmussen as head at NATO. Leave it to me, guys.") And when he told earthquake victims in Abruzzo to think of their situation "like a weekend...
...small, entertaining or dreadfully daunting; she'll try anything and make it work. It's a mystery how this bold, striking star-in-the-making avoided Hollywood's eye for 15 years, but for off-Hollywood, off-kilter dramas, Swinton has been the go-to lass - the queen of the indies. (See a multi-media analysis of 78 years of Oscar by Richard Corliss...
...Jarman found a swank, daring chameleonic muse; he would use Swinton in seven features. She was the Madonna in his The Garden and Queen Isabella in Edward II. She floated dead on a lake in Jarman's Caravaggio and, unseen, read the dying director's musings on mortality in Blue. After Jarman succumbed to AIDS in 1994, she mourned not only the his passing but his elliptical, confrontational style. "That kind of art is dead," she said. "What you can do now is subvert with art that disguises itself as commerce." That may sound like an admission of defeat...
...this 1993 rethinking of the Virginia Woolf novel, Swinton plays Lord Orlando, a gallant 16th century nobleman whom Queen Elizabeth awards a stately manor, on one condition: "Do not fade, do not wither, do not grow old." Over his 400-year life, Orlando is a man, then a woman, then a bit of both - the two sexes evolved into one. Swinton had played men before: she was Mozart in a production of Pushkin's Mozart and Salieri, and in the play and film Man to Man she was a woman in Nazi Germany who assumes her dead husband's identity...
...Julia, all her power and coherence. It's like so much of Swinton's work: a huge star performance in an ornery little film. When she meets directors with grand or weird or disturbing ideas, she does make their dreams come true. We expect no less of the queen of the indies...