Word: queered
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Dates: during 1960-1969
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...speculations about his mother's bed are beside the point. Her we have Sir Norman, fantastically wealthy, illegitimate, weak, gullible, and queer. He is victimized as a matter of course. His first tormentor, his mother aside, is a nightclub singer named Lily Vail who gets him to marry her so that she can divorce him, thereby gaining fame via scandal and fortune via alimony and blackmail. He is later a victim of a sculptress whom he commissions to create an enormous "Ritualistic Orgy of the Titans" in front of his desert home; her American Indian husband, who convinces Norman that...
...Communist pair outwit the villainous security men. The proletarian hero investigates the investigators and exposes his three persecutors as 1) the husband of a convicted shoplifter and father of a reefer-drag ging beatnik son, 2) a collector of fancy ceramics specializing in Victorian toilet bowls, and 3) a queer...
...into sudden rages at his guests. From the wrinkled nonagenarian mouth came the vilest obscenities, and he agonized over the mistakes in his life. "My greatest one was this. I tried to persuade myself that I was three-quarters normal and that only a quarter of me was queer-whereas really it was the other way round...
...These queer exercises in disjunctive verse don't observe the ethics of polite conversation. Henry is addressed as Mr. Bones by a cat who might himself be Mr. Bones, but isn't. Moreover, there are no quote-marks and no stage directions, and there is no clear distinction made between the two voices by the language itself. Some parts of some songs are in a mad sort of recent Jazzese, the language of the post-vaudevillian Negro entertainer, without the furniture of dialect ("The jane is zoned! No nightspot here, no bar/there no sweet freeway, no premises..."); some of them...
...commercials (and their delivery) are for the most part very funny. Near the end of the play, each of the "heroes" reveals himself--Doc is a con man, Billy is a J.D., Wyatt felt it was his calling to murder, and Wild Bill, good ole Wild Bill, is queer. This skeleton rattling brought to mind the recent screen satire, Cat Ballou, but Mr. Oppenheimer's heroes are far more perverted, far too bitter. He doesn't laugh at the foibles of the Old West, he indicates that they were part of the rotten-to-the-core morality that has existed...