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...sleeve as a possible puppet emperor whom she might place on the throne of any part of China which might secede (see p. 19) and prefer a monarchy to a republic. Last week aggrieved Concubine Shu Fei told what life is like at Mr. Pu's queer court...

Author: /time Magazine | Title: Foreign News: Manchu Sued | 10/12/1931 | See Source »

...heroine (Rose Hobart) is imperiled by the lechery of a brownskin potentate in silk leggings and by the lions, tigers, leopards, boa constrictors, crocodiles and monkeys of a jungle which seems to be more densely populated than a stadium football game and to contain an even larger collection of queer pelts and extraordinary noises. As is usually the case in films with which wild animals are intimately connected, the story is both quaint and trivial. A married lady penetrates the Malay wilds to find and be reconciled with her husband (Charles Bickford) who is court physician to the potentate...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 5, 1931 | 10/5/1931 | See Source »

...occasionally he has succeeded. Lately he has taken to visiting factories, watching with his trou bled stare the unselfconscious machines, the unquestioning workers. Perhaps Women, a fragmentary notebook, is the result of these brooding visitations. Not the arguable art of economics but human beings, their daft ways, their queer needs, are what fascinate Sherwood Ander son. What Anderson thinks is wrong with U. S. men (he has said it before) is im potence. To watch a Barker-Coleman spooler warper in a cotton mill, says he, is enough to make any artist feel it in himself. "Man has already accepted...

Author: /time Magazine | Title: Books: Old time Religion | 9/21/1931 | See Source »

...Dove (sometimes reported engaged to him) ; Pat O'Brien (Front Page) ; Jean Harlow (Hell's Angels). Forced to hire actors from other producers, Producer Hughes found that other producers were reluctant to let him have actors for any picture, that they flatly refused to help him cast Queer People. Independent cinemactors were afraid to appear in the picture. Further, it became clear that if Producer Hughes did find a cast, he would have only the theatres which he controls and the comparatively unremunerative independent theatres in which to show Queer People. The large chains, controlled by the important...

Author: /time Magazine | Title: Cinema: Queer People | 9/7/1931 | See Source »

Producer Hughes was considered one of the queerest persons in Hollywood when he spent $4,000,000 'On Hell's Angels. He was considered somewhat less queer when the picture's profits showed signs of reaching $2,000,000. His personal income, estimated at $4,000 to $5,000 a day, inherited from his father who invented an oil drill, was further augmented by the takings of The Front Page. Observers familiar with the Hughes determination wondered whether he had really decided to abandon Queer People, wondered why he did not hire a cast of legitimate actors...

Author: /time Magazine | Title: Cinema: Queer People | 9/7/1931 | See Source »

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