Word: queimada
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Dates: during 2000-2009
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Most directors want a film's score to be subtle, the secret ingredient in movie emotions. Morricone wants his music to be as evident as the performances and the visuals. There's simply no ignoring the chorale he composed for the rebel peasants' march in Gillo Pontecorvo's Queimada (Burn!) or the several stirring anthems he wrote for Bernardo Bertolucci's 1900. These are pieces that, as Morricone proved when he played them at a concert this month at New York City's Radio City Music Hall, can stand and soar on their...
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