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Austin, Texas, is home to three standouts. In October more than 100 short and feature films are screened at the Austin Film Festival. SXSW Film is an offshoot of a music festival held every spring. And in April the Best of QT Fest draws die-hard Quentin Tarantino fans to the Alamo Drafthouse...

Author: /time Magazine | Title: Culture: Film Festivals for the Rest of Us | 5/30/2006 | See Source »

...moves with a relentless violence and retains Shakespeare’s eloquence, but removes the bulk that most modern theatergoers simply can’t stomach,” he says.Pecci summed up the show’s feel succinctly: “Think the Bard of Avon meets Quentin Tarantino.” RUBBISH AND REVERENCEThis recipe is likely to generate controversy as well as excitement. Any staging of Shakespeare that counts household rubbish as inspiration—“the major thematic gesture is garbage,” Lazarcheck says of this production—is bound...

Author: By Tom C. Denison, CONTRIBUTING WRITER | Title: Reconsidering 'Richard II' | 4/26/2006 | See Source »

...David Ellis was very gracious about the fact that potential customers had a lot of input into his movie. Would other directors you've worked with, like Quentin Tarantino or Spike Lee, have been offended by the idea of giving up some control of their film...

Author: /time Magazine | Title: Snakes on Samuel L. Jackson | 4/24/2006 | See Source »

...Quentin already has that sensibility. He is an audience member who understands what should be in a movie. With Kill Bill, he knew what the Shaw Brothers genre was, so that if he's going to pay homage to that particular film, there are certain things that you have to do. You have to have certain kinds of fights. You have to show things. And if you have the capability of not just having blood splatter, but squirting out of someone's neck the way it was in Shogun Assassin, then you do it. You give it to an audience...

Author: /time Magazine | Title: Snakes on Samuel L. Jackson | 4/24/2006 | See Source »

...heard some of the patter and pop-culture references of “Slevin” before. Director Paul McGuigan and writer Jason Smilovic owe the larger part of their souls to Guy Ritchie (for flashback sequences with crazy lens shading), John Woo (for slow-motion fight scenes), and Quentin Tarantino (for the entire script and plot...

Author: By Hayes H. Davenport, CONTRIBUTING WRITER | Title: Lucky Number Slevin | 4/5/2006 | See Source »

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