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...sound and fury: the Faulkner plaque on the Lars Anderson bridge. The plaque is small, bronze, weathered and nearly impossible to pick out against the brick on the bridge's northwest side; it's inscribed "to Quentin Compson, drowned in a field of honeysuckle." Cognoscenti will recognize the bridge as the supposed location of one of the novel's great tragedies...

Author: By Maryanthe E. Malliaris, | Title: Sense of Place | 12/4/2000 | See Source »

...Quentin Tarantino has been M.I.A. forever. Where in the world did you find him to do a part in the movie...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: A Soul-Searching Interview with Adam Sandler | 11/9/2000 | See Source »

...movies are great and he's I see an interview with him, I laugh my ass off because he says it with such passion. Every thing he says he believes a 100%. We thought he was funny and we wrote this part and told his agent about it. Quentin came over to my house one morning at like 10am and just hung out with us. We got along and that's that. Now we hang out with Quentin all the time. We flew to Vegas with him - that was the coolest. The best thing I've ever seen was that...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: A Soul-Searching Interview with Adam Sandler | 11/9/2000 | See Source »

...adored her position as First Lady but wanted more living space. Mercifully, all the grandiose dreams died in the face of costs and a growing sense that the country was deeply fond of George Washington's original creation. Theodore Roosevelt's brood dented the mansion here and there; son Quentin would bring a pony through the ground-floor corridor and up the elevator so that his ailing brother Archie would be cheered. All along the way an exuberant country of inventors made sure that early on the White House had running water, indoor plumbing, electric lights, central heating, telephones--even...

Author: /time Magazine | Title: History: Action Central | 9/18/2000 | See Source »

...been educating himself as a filmmaker ever since, with James L. Brooks, the producer of both Say Anything...and Jerry Maguire, as a de facto professor. Not entirely happy with his direction of Singles in 1992, Crowe took a break and began studying the work of other filmmakers. Quentin Tarantino's Pulp Fiction, he says, taught him how to make his gonzo structure hold together. Like Brooks, Crowe resists traditional screenplay rules, instead laying out his scenes like chapters or tracks on an album...

Author: /time Magazine | Title: Cinema: As The Crowe* Flies | 9/18/2000 | See Source »

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