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...purpose of the magazine is to give all students a chance to express their artistic talents, according to founders Karin S. Lewicki '96, Quentin A. Palfrey '96 and Ali Zarrinpar...

Author: By Jal D. Mehta, | Title: New Magazine Makes Debut Today | 2/28/1996 | See Source »

After months of strenuously denying any romantic attachment, gore-auteur QUENTIN TARANTINO and Mighty Aphrodite star MIRA SORVINO have given in. Love has blossomed just in time for Valentine's Day-and the announcement of the Academy Awards, for one of which Sorvino is highly likely to be nominated and Tarantino equally likely not to be. The couple, currently in Paris for her publicity tour, share an interest in Chinese films, but for different reasons: he likes the violence, she studied East Asian languages and civilization at Harvard...

Author: /time Magazine | Title: People, Feb. 19, 1996 | 2/19/1996 | See Source »

Indeed, Fellini controls this movie as only he can. The circular plot leaves Quentin Tarantino blushing. The diversity and clarity of his flights of fancy sweep the viewers off their feet. But that variety only masks Fellini's focus on his hero and his gender, at the expense of the embittered woman the film purports to bring to life...

Author: By Edward P. Mcbride, | Title: Fellini Flouts Feminism in Film | 2/15/1996 | See Source »

...surprisingly, such spoofs of pop culture are a staple of Mad TV's lineup, and some of its filmed movie parodies have been especially clever. Gump Fiction set America's most beloved dumbbell in the world of Quentin Tarantino, and unlike so many famously unfunny SNL skits, it actually gained momentum as it went along: See Forrest dance awkwardly with an Uma Thurman look-alike; see him assassinate President John F. Kennedy...

Author: /time Magazine | Title: TELEVISION: THE BATTLE FOR SATURDAY NIGHT | 2/12/1996 | See Source »

...Epstein and Jeffrey Freidman, the compilation is by turns amusing and heartbreaking, says TIME's Richard Corliss. It adroitly interlaces old film clips, like a peignoired Cary Grant, declaring, in Bringing Up Baby, 'I just went gay all of a sudden!', with cogent comments by Gore Vidal, Harvey Fierstein, Quentin Crisp and others. But the final irony of the film may be that Hollywood, with its dozens of gay stars, its hundreds of gays in positions of creative and executive power, is still afraid to depict homosexual life: the world Hollywood knows, and could persuasively dramatize, Corliss says. "The whole...

Author: /time Magazine | Title: FILM . . . THE CELLULOID CLOSET: | 1/26/1996 | See Source »

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