Word: queueing
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...from satisfied customers have led to a six-month wait for the group classes ($95 to $150 an hour) that they teach out of a converted barn next to their home. Private consultations are even harder to get and, starting at $200 an hour, costlier--but there's a queue for them...
...rows 61 to 63. These are rare rows of two seats each, with extra storage space between the seats and the window. The guru does warn that the extra gap may get in the way of snoozing against the window pane-but it sure beats being stuck by that queue for the toilet...
Bronshtein describes the T-shirts as depicting a “slanty-eyed Asian character,” but he neglects to mention that they show much more than that: they depict a bucktoothed, mentally-deficient-looking Asian character who wears his hair in a rattail-like queue. Although this hairstyle is no longer popular in Asia, this is exactly how 19th-century racist propaganda depicted the immigrants from Asia who comprised the “yellow peril.” Bronshtein neglects to mention these aspects of the T-shirt images. He also fails to place the image...
...broadcasts and retail sales took them to wider audiences, winning new generations of admirers. The new movie should reach break-even point when the 8 millionth viewer parks in a seat at the movie house to watch the fun. But neither Leconte nor Jugnot expect foreign audiences to queue round the block. "France's sense of humor and comedies just don't seem to globalize," says Leconte, "unless the Americans decide to remake them." Les Bronzés in particular, Jugnot adds, is an inside joke "about how we French are ugly, mean and cheap." That's a good reason...
...beyond him. Composed with the deliberation of music or poetry, her groupings of bowls can limn the personal (Silence, 1995, where two pairs of figures tower above a silvery pool, either mute or deaf to each other) and the political (one can't help but read the queue of 23 moist-lipped vessels in Exodus II, 1996, as asylum seekers). Other still-life groups simply delight in their play of form (the rising and falling rhythm of Breath, 2000) and color (the enlightening journey of Fade, 2003). Her groups, which the artist keeps carefully documented in photographs, are growing...