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...Arnold Scaasi to replenish their spring and summer wardrobes. Mama Anne McDonnell Ford, 46, picked an evening outfit of bright pink sequins, but her girls, Anne Ford Uzielli, 23, who expects her baby in December, and Charlotte Ford Niarchos, 25, whose child is due this summer, bought loose-fitting, quieter frocks of black lacquered lace and peau de soie. Since Charlotte and Anne are both beatified on the Best Dressed list and Mrs. Ford is canonized in the Fashion Hall of Fame, the New York Herald Tribune's Eugenia Sheppard became curious about the new glad rags and sent...

Author: /time Magazine | Title: People: Apr. 29, 1966 | 4/29/1966 | See Source »

...Maud Shaw when she left the service of the Kennedy family last summer. Unsurprisingly, she has changed her mind. Her little trickle into the flood of Kennediana includes some nursery-level characterizations of the children (John is "the clown . . . a natural comic," while Caroline, like her mother, is "the quieter, more reserved of the two, slow to make friends") and a few intriguing anecdotes. There was, for example, the time when Caroline first became aware of people's color. Once she noticed that she was turning brown in the sun at Palm Beach. "George," she asked a Negro servant...

Author: /time Magazine | Title: Books: Short Notices: Apr. 29, 1966 | 4/29/1966 | See Source »

...everyone looks upon London's new swing as a blessing. For many who treasure an older, quieter London, the haystack hair, the suspiciously brilliant clothes, the chatter about sex and the cheery vulgarity strike an ugly contrast with the stately London that still persists in the quieter squares of Belgravia or in such peaceful suburbs as Richmond. They argue that credulity and immorality, together with a sophisticated taste for the primitive, are symptoms of decadence. The Daily Telegraph's Anthony Lejeune two weeks ago decried "aspects of the contemporary British scene which have not merely surprised the outside...

Author: /time Magazine | Title: Great Britain: You Can Walk Across It On the Grass | 4/15/1966 | See Source »

Life just northeast of Weeks Bridge is quieter now; the great envelope-stuffing era is over. What political ambitious still rest in the hearts of some Dunster men are silently worked out in the daily grind of preparing for law school. Dunster has become just a place to live--and is never anyone's first choice. Everyone' decides Dunster is too far from classes, has rooms that are too small, and has nothing of the elitist or material allure of other Houses. But the people who come to live in Dunster find that most of their premonitions about it were...

Author: NO WRITER ATTRIBUTED | Title: Dunster | 3/12/1966 | See Source »

Neil Miller's orchestra, which is fine when it's blaring forth the overtures, sounds embarrasingly thin during quieter numbers like "How Are Things in Glocca Morra" and "Old Devil Moon." Wendy Philbrick's choreography--except for the genuinely funny beginning of Act II--seems humdrum, and fuller of to-ing and fro-ing than the quarters permit. And in a play about better race relations, it's unfortunate that a late line of dialogue, rather than the makeup, informs us that most of the chorus of sharecroppers is supposed to be Negro...

Author: By Martin S. Levine, | Title: Finian's Rainbow | 3/4/1966 | See Source »

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