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...snare at the rim and move gradually in towards the center," says the score at one point) to produce sounds as weird as anything in the world of electronic music. The first movement in last week's performance built to a climax with express-train power. The quieter second movement gained its effect from the almost somnolent alternation of the piano's sinuous theme with the whisper of a drum, the rasp of a snare, the tinkle of a triangle; the wildly fragmented third movement erupted in brief, craggy patterns stitched together only by the surgical precision...

Author: /time Magazine | Title: Music: Barlok's Stepchild | 3/7/1960 | See Source »

...chest 47 in.), Vickers is a passionate, convincing actor; his voice is heavy but admirably flexible, capable of varied and subtle shadings. It was at its most spectacular when it surged over the orchestra in Siegmund's furious outbursts, but it was also wonderfully expressive in the quieter waters of the first act's tenderly lyrical Winterstuerme, wichen dem Wonnemond. Vickers received stirring if somewhat uneven support from Sopranos Aase Nordmo Loevberg as Sieglinde, Birgit Nilsson as Bruennhilde, and a whole troop of excellent Valkyries, but he was plainly the star of the evening. Soprano Nilsson: "I hope...

Author: /time Magazine | Title: Music: The Reluctant Heldentenor | 2/22/1960 | See Source »

...from his bow floated around his head, he dazzled his listeners with a performance full of flashing colors, amazing fluctuations in volume and, on occasion, blazing speed. Then, after peeling the shredded hair from his bow and shooting the cuffs of his immaculate dress shirt, he launched into the quieter strains of Ernest Bloch's familiar violin war horse Nigun (from Baal Shem), shaping an interpretation that was sweet but not sugary, both poignant and filled with an old world charm...

Author: /time Magazine | Title: Music: Old World Fiddler | 2/8/1960 | See Source »

...become sure about catching the end of the solo runs, with the result that the last movement sounded grim and dogged and too tense. With regard to the difficult dynamic problems of the slow movement, it is often the case that a relaxed, controlled mezzo-piano will actually sound quieter than the strained tone the full orchestra produced when trying to match the soloist's softest passages. The orchestra fared better in the opening movement, where it could display its brilliant sound with less inhibition...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 11/2/1959 | See Source »

...Pentagon and the White House. Dr. H. S. Truman of Independence, sole architect of the remarkably successful Hot-Shot Harry missile of 1948, heads the small research and development team at work on the Missouri Fury. One desirable feature of the Fury is the fact that it is somewhat quieter than other models in the Democratic family of missiles...

Author: /time Magazine | Title: National Affairs: Countdown | 10/5/1959 | See Source »

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