Word: quilting
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...proving exception"). In a tone of things-I-never-knew-till-now, he announces several latter-day commonplaces, such as 1) under equal environmental advantages, Negroes stack up well with whites in IQ tests, 2) Negroes have no unique odor of their own, 3) Africa is a racial crazy quilt, and the modern American Negro is no more closely related to his African ancestors than a modern Greek is to an ancient Greek, 4) all blood is red, and it is uniform except for blood groups. Well-meant though all of this undoubtedly is, it smacks of an overly reasoned...
...curtain closes on the prologue, and acrobats, like an avalanche of oranges, come tumbling at the camera, with jugglers and parti-colored harlequins who set the screen to flailing like a crazy quilt in a squall. Enter the mime again, this time with bells on his ankles, wrists and cap, to do a little foot-about that is charmingly reminiscent of the lady in the nursery rhyme who has music wherever she goes, and then a gay bacchanal as the villagers join...
...20th Century-Fox). And the wind blew and the snow flew and before the censor could dig his way into the wilds of Montana and this script, Jane Russell is shacked up in a log cabin with Clark Gable, and there is nothing between them except grandmother's quilt. At night, while Jane lies sighing and stretching like a contented kitten, Clark gnaws happily at a piece of mule meat. "After a long ride," he explains, "I get hungry as a bear." In the morning Jane suggests a clubby breakfast. "I wish I was a peach tree," she sings...
Pretty soon Cowpoke Clark is talking about a little vine-covered 'dobe on Prairie Dog Creek, but Jane won't hear of such "dirty, mangy, sod-bustin' livin'." She shoots straight: "Ah dream BIG." Clark fires back: "Ah dream SMAWWLLL." She takes up her quilt and walks. Enter the villain (Robert Ryan), who also dreams big. Ryan offers Jane the territory of Montana if she will let him assume her burden of quilt. She agrees, and he dresses her up like a real front-tier belle, but even as she is sprayed with Paris perfume, Jane...
...beige-hay), the son of a Norman farmer, went to Paris in 1898 to study painting, earned his living as a photo retoucher. In 1910 he experimented with and abandoned the cubist techniques of Braque and Picasso, was later influenced by Primitivist Rousseau, moved on to a preoccupation with quilt-like color patterns, bunchy human figures in machine-like forms. After living in the U.S. for 4½ years during World War II, he painted The Builders, which won this year's $4,000 Sao Paulo international prize; he also designed sketches for the two 30-ft. murals...