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...Bridge, 1969, and the declaration fits the imagery, which manages to be both specific and curiously vague. The cracked concrete is Wiley's studio floor, the tipped-over paint tin that spreads its river beneath the "bridge" is an everyday accident. But the sum effect is a crazy quilt of potentially familiar objects, a mosaic of recollection that is suggested but eludes the viewer. In this way, Wiley manages to endow something as banal as a wooden stump with a tantalizing load of implied memory. The strategy is as old as surrealism. So are the verbal games, with their...

Author: /time Magazine | Title: Art: Quirky Angler | 1/17/1972 | See Source »

...idea for museum fashions occurred to Jenny Bell in January when she heard that the Brooklyn Museum was having a housecleaning and went to have a look. She returned home with a 56-year-old embroidered Egyptian silk scarf and an 81-year-old American patchwork quilt. With scissors, thread and a bit of black velvet trimming for the quilt, two handsome evening skirts emerged. A few more finds and Jenny Bell had enough to sell to Saks Fifth Avenue. Mindful of her 13 successful years as a Seventh Avenue designer, Saks bought the lot at first sight. Displayed...

Author: /time Magazine | Title: Modern Living: Museum Fashions | 5/24/1971 | See Source »

There are 733,000 licensed pilots in the U.S. and 129,000 light aircraft available for them to use. Most of the pilots cannot afford to buy a plane, and renting them is not always easy. Outside of Lease-A-Plane, the aircraft-rental field is a crazy quilt of widely varying rates, generally casual maintenance and erratic availability of aircraft. Says Johnson, a moderately mod dresser who has the jut-jawed good looks favored in old Smilin' Jack cartoons: "We had to get away from the image of the guy in the leather jacket sitting around a potbelly...

Author: /time Magazine | Title: EXECUTIVES: This Plane for Hire | 3/29/1971 | See Source »

...considerations overriding all others those days (and by irrational local student reaction to them) we two would-be filmmakers, having spent the day escaping into childish pleasures, wanted some reassurance that these pleasures weren't false ones. Korty was known as an 'independent' filmmaker; reports of his earlier Crazy Quilt and Funnyman had sounded promising. And not only was riverrun reputed to be his most ambitions work yet (befitting the Joycean title quote), but its subject matter jibed with our own quasi-idyllic mood. Korty, if anyone, would be able to give us what we thought we wanted, which wasn...

Author: By Michael Sragow, | Title: Films riverrun at the Orson Welles | 11/24/1970 | See Source »

...Merger, 59, said that Madame de Gaulle "asked for the same kind of casket I make for everybody else. When I asked if she didn't want something military, she said 'Non.' " Pointing to the extra-length (6 ft. 11 in.) oak coffin, lined with white quilt and trimmed with an aluminum cross, Merger added: "He was right. Who would need anything more?" Total cost: $72, or $9 more than usual, because of the size...

Author: /time Magazine | Title: World: A Glimpse of Glory, a Shiver of Grandeur | 11/23/1970 | See Source »

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