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Word: quintanilla (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...exhaustion induced by his labors for Bolivia's welfare, was the official explanation. No one came forward to suggest any darker explanation, but observers looked for a change in Bolivia's national direction with Colonel Busch gone. "Glory to President Busch! Long live Bolivia!" cried General Carlos Quintanilla, who, as Chief of Staff of the Army, took over as Provisional President and accepted Busch's Cabinet members' resignations, appointed new ministers...

Author: /time Magazine | Title: BOLIVIA: Dead Condor | 9/4/1939 | See Source »

...girl from New Haven, Conn, whom a Bolivian artist took home with him from Yale. Señor Foianini offered no theory other than nervous suicide about the dead Condor last week. But he was deeply sad, and in a great hurry to fly home before General Quintanilla and other Army men should reorient Busch's Bolivia...

Author: /time Magazine | Title: BOLIVIA: Dead Condor | 9/4/1939 | See Source »

...altitude of less than 100 ft., something happened. The motor sputtered, the plane faltered, dived into the river, settled with its nose on the bottom, its tail sticking out of water. The watchers at Boiling Field, including the flier's wife and son, saw it all. Dr. Luis Quintanilla, counselor of the Mexican Embassy, and Naval Attache Manuel Zermeno jumped into automobiles, jounced over fields to the riverbank. Quintanilla and Zermeno flung off their coats, plunged in, swam to the plane, tried to pull Sarabia out. But he was inert, wedged in the cockpit, his head pressed against...

Author: /time Magazine | Title: Transport: I Shiver | 6/19/1939 | See Source »

...announced in Barcelona last week that the New York World's Fair will have a similar pavilion, decorated with frescoes by Luis Quintanilla (TIME, March 28) and Joaquin Suner...

Author: /time Magazine | Title: Art: 13 Points in Montage | 9/12/1938 | See Source »

...Quintanilla drawings show war's effects on the streets of Madrid and Almeria, on the villagers of Andalusia surprised by bombing and strafing airplanes, on Moorish, Italian, German and Spanish prisoners, on wounded men in hospitals. Seeming as delicately bitten as etchings, they were done with a fine quill pen in a uniformly unexcited style. Ruins of masonry, the broken bodies of the dead, the brutalized bodies of the living, all were recorded with the same hard outline and shading, the same careful, slightly grotesque composition. By this apparent monotony and coldness Artist Quintanilla made a profile of Spain...

Author: /time Magazine | Title: Art: Profile of War | 3/28/1938 | See Source »

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