Word: quintet
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Dates: during 1900-1909
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...series of four concerts at 8 o'clock this evening in the Lecture Room of the Fogg Art Museum. The program will be Schumann, Quartet in A major, op. 41, No. 3; Mendelssohn, Canzonetta from Quartet in E-flat major, op. 12; Hugo Wolf, "Italienische Serenade"; Dvorak, Quintet in A major for pianoforte, two violins, viola, and violoncello...
CHAMBER CONCERT. The Kneisel Quartet, assisted by Mrs. Edward C. Moore. Lecture Room of the Fogg Museum, 8 P. M. Program; Schumann, Quartet in A major, op. 41, No. 3; Mendelssohn, Canzonetta from Quartet in E-flat major, op. 12; Hugo Wolf, "Italienische Serenade"; Dvorak, Quintet in A major for pianoforte, two violins, viola, and violoncello...
CHAMBER CONCERT. The Kneisel Quartet, assisted by Mrs. Edward C. Moore. Lecture Room of the Fogg Museum, 8 P. M. Program: Schumann, Quartet in A major, op. 41, No. 3; Mendelssohn, Canzonetta from Quartet in E-flat major, op. 12; Hugo Wolf, "Italienische Serenade"; Dvorak, Quintet in A major for pianoforte, two violins, viola, and violoncello...
...fifth annual concert of the Harvard Musical Club was given last evening in the Fogg Lecture Room before an appreciative audience of good size. The program included a Symphonic Study for violin, violoncello and piano by E. Royce '07, played by Messrs. Demolins, Poore and Clapp; two movements from Quintet in C minor by P. G. Clapp '09, performed by the Pierian Sodality String Quartet and the composer; Mr. F. R. Hancock '11 sang a group of songs comprising "The Song of a Dream," by A. W. Locke '05, "Love Song from the Greek," by C. B. Roepper...
...himself a difficult problem to maintain the thread of continuity without the aid of a closer adherence to conventional form. In substance, however, this work is so interesting as to demand another hearing before attempting a more authoritative opinion. In the first movement of Mr. Clapp's quintet we feel at once the solidity and breadth of structure, although the treatment of the strings is occasionally at variance with traditional quintet style. The themes, striking in themselves, are well adapted to extended treatment, and the effect of this movement is one of strength and sustained power. The adagio seems...