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It’s not a new thing—quintessentially American types of music migrate to England and come back sexier and more palatable. Co-ed quintet The Heavy, from the suburbs of Bath, takes a page from this book on their new album “Great Vengeance and Furious Fire,” blending their sexy British sound with one steeped in the rich American heirlooms of blues and funk. With a mixture of gospel-infused vocals, R&B beats, and garage rock sounds, they manage to simultaneously call Sonic Youth and Prince to mind, swaying between...

Author: By Meredith S. Steuer, CONTRIBUTING WRITER | Title: The Heavy | 4/25/2008 | See Source »

...Speak Like a Child” that heavily influenced modern piano composition and improvisation. Trumpeter Miles Davis recruited him as a sideman in 1963, and Hancock became a core member of what is known as Davis’s “second great quintet.” Through albums like “In A Silent Way” and “Filles de Kilimanjaro” the group fused the abstract, single-chord song forms of free jazz with the electric instruments of funk and rock, creating a sub-genre called “fusion?...

Author: By Brittany M Llewellyn, CRIMSON STAFF WRITER | Title: Hancock To Appear at Cultural Rhythms Event | 2/26/2008 | See Source »

...group's membership consists of part-time journalists, full-time cater-waiters and valet parkers. But don't laugh at these representatives of overseas newspapers and magazines. They know how to throw a party. Double the number of nomination slots for movies, from the Motion Picture Academy's quintet to 10 - five dramas and five comedies or musicals. (Indeed, so rich was this year's bounty of films that the voters couldn't even contain their finalists to a list of five; they made room for seven nominees on the drama list.) More important, increase the number of nominated movie...

Author: /time Magazine | Title: The Globes Atone for the Critics | 12/13/2007 | See Source »

...blocks of programming devoted to an artist or a theme, for those of you who don’t know. Frantically combing through the piles of CDs and LPs strewn across the floor, I hit gold: a CD of Lawrence Ferlinghetti and other Beat poets with the Cellar Jazz Quintet. I put on the CD and Kenneth Rexroth came on, angrily spitting out the words to “Thou Shalt Not Kill.” Rexroth built up to the furious conclusion, damningly beating out, “And all the birds of the deep sea rise up / Over...

Author: By Kimberly E. Gittleson, CRIMSON STAFF WRITER | Title: FCC, Won’t You Please Let Me Be? | 10/12/2007 | See Source »

...Ellington and Charlie Parker as a teenager, and on seminal recordings ranging from Parker's Ko-Ko to Miles Davis' Birth of the Cool sessions, he created rich, complex, melodic sounds and drove rhythms disturbed by loud bass-drum beats, sudden silences and offbeat riffing. After his hugely successful quintet dissolved in 1956, following the death of his friend and band co-founder, trumpeter Clifford Brown, he tumbled into a severe depression. When he surfaced Roach pushed himself into new endeavors: agitating for racial equality, writing music for playwright Sam Shepard, leading an acclaimed percussionists-only band and irking traditionalists...

Author: /time Magazine | Title: Milestones Sep. 3, 2007 | 8/23/2007 | See Source »

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