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Word: quintets (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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...rock-'n'-roll quintet, its sounds brutally amplified, screeches and howls. The dancers enact their love ritual, while a filmed psychedelic view of their actions is projected-elongated, distorted and weirdly colored-on the wavering backdrop. "This is what we're doing," the action in the foreground seems to say. "And this is what we feel we're doing," proclaims the film. At the end, passions spent, the man walks through the billowing drop and out a series of backstage doors; Astarte recedes into the shadows, awaiting her next visitor. In his new Astarte, Choreographer-Director...

Author: /time Magazine | Title: Ballet: Ritual in Rock | 10/6/1967 | See Source »

...career and reflecting much of the same hushed awe of his Manzoni Requiem; not mentioned in the standard Verdi catalogue, the song was flushed out of an obscure Italian library by Verdi Scholar David Stivender. Other long-lost scores, such as the charming and perky Wind Quintet by Ponchielli (of La Gioconda fame) were found in editions long out of print...

Author: /time Magazine | Title: Opera: How to Run a Festival | 9/1/1967 | See Source »

First on the program was the Quintet for 2 Violins, 2 violas and cello (1958) of Roger Sessions. The work is in three movements, nominally conforming to the standard fast-slow-fast alternation of classical sonatas. The first ("Movimento tranquillo") seemed to be written for violin solo with string accompaniment, which might be a function either of the composer's intentions of the energetic playing of Mr. Galimir. The second movement ("Adagio ed Espressivo") exploited the high register of the violin, giving the music a strongly passionate flavor; after a while, however, the emphasis on extreme registers began to wear...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

...Schoenberg is in reality quite a different piece. Written slightly over a decade before the Sessions Quintet, the Trio is possibly even more severe in idiom. Where the Sessions is expansive, the Schoenberg is concentrated, pithy, intense. Contrasts are much more frequent and stark, with ferocity and elegy following in close succession in a kind of mosaic sound. Schoenberg's use of effects such as tremolo, col legno and harmonics is absolutely chilling...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

Well, face it: 1763 was a very dull year anyway. It hardly holds a candle to 1924, for example. That's when insecticide was introduced; Juan Gris lectured at the Sorbonne; Bloch wrote his piano quintet; Gershwin, Rhapsody in Blue; Puccini, Turandot; Schoenberg, Erwartung; Forster, A Passage to India; Galsworthy, The White Monkey; Shaw, St. Joan; Mann, The Magic Mountain. It was also the year that Woodrow Wilson and Lenin died, that Hitler got out of prison, Coolidge was elected President, China, Britain and France recognized the U.S.S.R., Churchill became Chancellor of the Exchequer, and, as everyone no doubt...

Author: /time Magazine | Title: Books: When Did J. E. Purkinje First Use the Term Protoplasm?* | 5/5/1967 | See Source »

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