Word: quinto
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...waning star power. On his Enterprise enterprise Abrams summoned Leonard Nimoy out of a black hole to play an elder Mr. Spock, and Eric Bana, star of the lambasted Ang Lee version of The Hulk, for the bad-guy role of Nero. But Chris Pine (young Kirk) and Zachary Quinto (young Spock) are actors not previously seen on a movie marquee; they might not even be in FaceBook. The film's biggest on-screen name is probably Winona Ryder, hard to recognize as (gasp!) Spock's human...
...nearly drives it over a cliff; later he picks bar brawls with packs of space studs. Anger management was not a major issue with Shatner's Kirk, but that was a different century. Pike's Kirk has to be the hot-tempered yang to the yin of Quinto's Spock - who also gets an overhaul. Half-Vulcan, half-human, his nature is at constant war not only with Kirk's but with itself. In this Star Trek, philosophy takes a back seat to psychotherapy. (Read TIME's review of the new Star Trek movie by Mary Pols...
...With impeccable timing, Abrams welcomes the rest of the old crew of the Enterprise, young and fresh again, one by one to his dance floor. First up is Spock (Zachary Quinto, a slightly sexier version of Leonard Nimoy), who was bullied on Vulcan for having a human mother (Winona Ryder, seemingly still in character and costume from a Grey Gardens audition) and chose to take refuge in the Starfleet Academy. Then comes Uhura (Zoe Saldana), who rejects Kirk's leering come-on with just the crisp efficiency you'd expect...
Heroes' canvas is too vast to tell if the show is fixed yet. One weakness is the need for better villains. Uber-baddie Sylar (Zachary Quinto) is up to his old tricks; his menace and mission (stealing superheroes' powers by killing them) are too familiar to be scary anymore. He's a popular villain, but Season 3 will have to figure out how to avoid becoming his hostage...
...only in the late fifties and early sixties. Since this time, however, Latino writers have produced a great quantity of prose that has eagerly been published by those seeking to capitalize on new ethnic literature and by independent publishing houses such as Open Hand Press, Arte Publico Press and Quinto Sol International...