Word: quinton
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DelVecchio, who tied the record as a junior in 1991, was drafted by the New York Yankees the next year with the 690th pick—two spots ahead of Benny Agbayani, and in the same round as Quinton McCracken. After a hot start (.373, 7 HR, 21 RBI) in his first year of pro ball, he was featured in the May 18, 1993 issue of Yankees Magazine...
...when Reynolds tried to tell his adopted son Quinton that he and Anderson were separating. "We went for a walk on the beach and I--I couldn't get to it. He looked at me and said, 'Daddy, the dance is over.' And I said, 'That's right. We started out dancing together, we still loved each other, but one goes to this side and one goes to that.' And he said, 'You're a man. It'll be all right...
CAMILLE. Charles Ludlam died of AIDS in 1987, but his plays' nutty mix of drag-queen melodrama, camp slapstick and sly deconstruction lives on. His longtime companion and collaborator, Everett Quinton, restages and stars in yet another of them at off-Broadway's Ridiculous Theatrical Company...
...Second Avenue Theater to watch excerpts from his ebullient farces and to pay tribute to the artist whom Playwright William M. Hoffman called "the funniest man in America." Madeline Kahn recalled her college days with Ludlam. Joseph Papp and Geraldine Fitzgerald spoke of his prodigious energy. Finally, Everett Quinton -- Ludlam's colleague and for years his lover -- walked onstage to a standing ovation. Throughout the evening he had manfully cavorted through such roles as Flosshilde in Der Ring Gott Farblonjet, Alice in Conquest of the Universe or When Queens Collide and Lamia the Leopard Woman in Bluebeard. He waited...
...MYSTERY OF IRMA VEP. This perfect travesty raids Jane Eyre, Poe and mummy movies. Everett Quinton and Playwright-Director Charles Ludlam perform all eight roles, some in drag, some simultaneously, with manic precision...